When I drink brown liquor, I get crazy quicker
Than an old red fox on the run
I get tongue tied and I lose my mind
And everything comes undone
It's hard to explain how it bends my brain
When it's a-swimming in my blood
When I drink brown liquor, I go crazy quicker
Than an old red fox on the run, run, run
I can chug a lug on a big beer mug
I can win the blue ribbon every time
On rum and coke, I tell real good jokes
And I hardly ever cross that line
I can shoot tequila till all I feel-a
Is one big happy buzz
But if you see me starting on the Jim or the Jack
Or the [Incomprehensible] then you better run
'Cause when I drink brown liquor, I go crazy quicker
Than an old red fox on the run
I get tongue tied and I lose my mind
And everything comes undone
It's hard to explain how it bends my brain
When it's a-swimming in my blood
When I drink brown liquor, I go crazy quicker
Than an old red fox on the run, run, run
I'm a pretty good guy most Saturday night
Sitting back and sipping on [Incomprehensible]
And I do just fine on homemade wine
And I never think of shooting my gun
Yeah, I'm A okay when the band is playing
Pop a top again
But when I start to slurp that devil in a jug
That's when my trouble begins
'Cause when I drink brown liquor, I go crazy quicker
Than an old red fox on the run
I get tongue tied and I lose my mind
And everything comes undone
It's hard to explain how it bends my brain
When it's a-swimming in my blood
When I drink brown liquor, I go crazy quicker
Than an old red fox on the run, run, run
When I drink brown liquor, I get crazy quicker
Than an old red fox on the run
I get tongue tied and I lose my mind
And everything comes undone
It's hard to explain how it bends my brain
When it's a-swimming in my blood
When I drink brown liquor, I get crazy quicker
Than an old red fox on the run
When I drink brown liquor, I get crazy quicker
Than an old red fox on the run, run, run
John Anderson is an American classical oboist. Born in 1950, he studied at the Curtis Institute of Music in Philadelphia and made his debut with the Chicago Symphony Orchestra at the age of 23. He is known for his impeccable technique, rich and deep sound, and ability to interpret a vast repertoire, from Baroque to contemporary. Anderson was principal oboist of the Metropolitan Opera Orchestra in New York for over twenty years and has collaborated with some of the world's greatest conductors. Among his representative works are: Mozart's 'Concerto for Oboe in C minor', Vaughan Williams' 'Oboe Concerto' and Britten's 'Sonata for Oboe and Piano'.
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