Words and music by Ani DiFranco
I hated to pop the bubble
Of me and you
But it only held enough oxygen
For a trip or two
To the moon and back again
Tell me, do you remember when
Our love had such grace
We were floating above this whole place
It's dawn on the corner
Where the city tests its squeaky breaks
Outside my bedroom window
A doppler muffler and a boomin bass
It's dawn and the snow
Is turning on its deepest blue
So I go outside just to stand there and
Look at my hands against the color
I find I always return to
I want you to always remember for me
Baby, if you can
How much you hated the woman
Who made you a man
And remember for me won't you
Back further before that
How you loved her like a boy
Cried from the joy
When you weren't laughing
No, I hated to pop the bubble
Of me and you
But it only held enough oxygen
For a trip or two
To the moon and back again
Do you remember when
Our love had such grace
We were floating above this whole place
So I hear these days you too
Are trying your hand at sleeplessness
A few more dizzying doppler lovers
And then a booming loneliness
How innocent the young student
On the day school has begun
When I said this was what I wanted
Did you think I thought it would be fun?
No, I hated to pop the bubble
Of me and you
But it only held enough oxygen
For a trip or two
To the moon and back again
Oh but I remember when
Our love had such grace
We were floating above this whole place
The lyrics BUBBLE of ANI DIFRANCO is also present in the album Educated guess (2004)
Ani DiFranco (nata Angela Marie Di Franco) è una cantautrice, musicista e attivista americana di origini italo-americane. Considerata un'icona del folk alternativo e della musica indipendente, DiFranco si distingue per la sua voce potente, le sue liriche introspettive e il suo stile musicale eclettico che fonde elementi di folk, rock, hip hop e jazz. Iniziò a suonare in locali underground all'età di 16 anni, pubblicando il suo primo album indipendente nel 1990. DiFranco ha sempre mantenuto un forte controllo creativo sul suo lavoro, fondando la sua etichetta discografica, Righteous Babe Records, nel 1990. La sua musica affronta temi sociali come il femminismo, la giustizia sociale e l'ambiente, guadagnandosi il rispetto di una vasta fanbase che apprezza la sua autenticità e la sua capacità di parlare a un pubblico ampio con sincerità e coraggio. Tra i suoi brani più rappresentativi figurano "Not A Pretty Girl", "32 Flavors" e "Little Plastic Castle".
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