Ce serait marrant d'imaginer
Qu'on ne s'est jamais rencontrés
Que ce jour-là, c'était pas moi, pas moi
Mais cette autre moitié de moi
Un peu l'envers de mon endroit
Celle que je ne vois qu'une fois par mois
Chez toi
Ne perds pas la tête
Ajuste bien tes carreaux
Calculons de tête
Y'a une moitié de trop
Ne t'affoles pas, ne hurles pas, ne me dis pas
Que tu n'aimes que moi
Sauras-tu jamais si c'est mon double
Ou bien si c'est moi qui te trouble
Quand sur toi se posent mes doigts, mes doigts
Refrain
Ce serait trop bête qu'il y ait un quiproquo
Je serais la bête, et toi tu serais l'agneau
Je serais violent, incohérent
Du bout des dents je te dirais vas-t'en
Moi qui t'offrais quelquefois des fleurs
J'aurais à la place du coeur
Une bien étrange noirceur, noirceur
Ce serait marrant d'imaginer
Qu'on ne s'est jamais rencontrés
Que ce jour-là, c'était pas moi, pas moi
Toi tu pourrais me raconter
Que tu ne m'as jamais aimé
Que tu avais imaginé qu'un jour...
Ce serait marrant d'imaginer
Qu'on aurait pu se rencontrer
Et qu'on aurait bien pu s'aimer d'amour, d'amour
Nicolas Peyrac is a French singer-songwriter born in 1954. He began his musical career in the 1970s, collaborating with artists such as Alain Souchon and Michel Berger. His musical style is characterized by catchy melodies, poetic lyrics, and a strong folk influence. Peyrac has released numerous successful albums, including "Toujours Une Route", "Et Vice Versa" and "So Far Away...", reaching a wide audience in France and Europe. He is known for his ability to convey deep emotions through his songs, often focusing on themes such as love, loss, and the search for meaning. Among his most representative songs are "L'Essentiel", "La Route du Sud" and "Le Temps des Cerises". Peyrac continues to perform live and record new albums, maintaining a loyal following of fans.
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Celeste Carballo
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