man you're weird sweep the floor feels so weird the face of a whore hit right back no time for
disgrace no black jack you need a real face circus maximus holographic weapon sight pointed on you
dynamite and theramite use a short fuse 20 metric tons of hydrogen gas we can overcome if we kick ass
no way out this time fever no way out this time I'm laying that's OK I'll do it myself I don't need
you to do it for me that's OK you're hurting yourself do not think you will ever be free you tried
real hard you gave it your best you don't give up you were put to the test it sucks so bad to leave it
this way we gave what we had you need a new day lost in the shit can't find a way out lost innocence
all hopes filled with doubt try violins I don't hear it that way I'm all out of friends I've got
nothing to say I'm not givin' in I'll find a new way I start and begin today's a new day don't try to
fit in I just need a new home like a dog off a leash I need to find a new bone it's hate that keeps me
ahead of the game I hate what I see when I see the front page I gave what you need it's time to leave
me all alone the lies that I read and the hate that is shown you that I mean and that I don't give a
shit it's you that is mean and don't gives a shit each time that I read this shit it makes me money
and smiles
Today Is the Day is an American noise rock band from Nashville, Tennessee. Founded in 1989 by Steve Austin, the group has released a vast discography characterized by aggressive and experimental sounds, blending elements of hardcore punk, sludge metal, and industrial. Austin is known for his powerful voice and theatrical performances, often accompanied by a dark and claustrophobic atmosphere. Among the most representative songs are "The Hammer", "You Are the Enemy" and "Death to the World". The album "In the Eyes of God" (1996) is considered one of the group's most influential works, while "Willpower" (2003) marked a more experimental approach. Today Is the Day has collaborated with artists like Merzbow and Pig Destroyer, contributing to defining the evolution of noise rock in the 1990s and 2000s.
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