REFRAIN
Mami : C'est pour la jeunesse perdue
Ri sril ou jay hède denia
La France du bled à tel point perdue
Ahaye âlia ou chtèh sla fihia (*2)
Ri sril ou lassi chef
Chèh hedi hede denia
Kindil yel habib
ou lahi traltet ârlia
113 : C'est âmi karim
du chit, oulid fel bled
Cheuft l'ouled plein de courage
C'est pour hèdi hèda
ouled bledna
lageul de tout âge
Mami : Ri sril ou lassi chef
Hedi hede denia
Kindil yel habib
Ou lahi traltet ârlia
113 : J'ai la tête dûre comme un melon, un parpin
Raconte des baratins qu'au parket
Mes parents sont venus ici pour forcer le destin
Né en France mais quand même clandestain
Comme un clandestain
Qui vient de voir la Tour Eiffel pour la première fois
Au future restrein de cette jeunesse
Qui trouve trop long le chemain des études
Dans la rue à se forger une réput'
F'rais n'importe quoi pour des tunes
Malin comme lifrâ
On ouvre son coeur
Quelle joie de pouvoir se rappeler l'estal comme la JSK
REFRAIN
113 : Jeunesse perdue vouée à l'interim
On n'est pas difficile à cerner
Dans notre mode de vie y a pas d'intrigue
On n'a pas choisis où on attérit
Dans les situations terribles dans lesquelles on se met
Parfois on périt
Chez nous tout va trop vite
On repli de justice
On compte pas toucher à la lotterie
Fume des saloperies
En attendant de voir ce que la vie leur réserve
Que Dieu te préserve
Au milieu d'ceux qui se sentent seuls
Comme au milieu du desert.
Mami : tilèlè lèlèlèla......
113 : J'adresse une rime aux vermines
N°1 de la débrouille
Du bitume, des briques
Qui veulent briller comme le real madrid
Se mettre à l'abri
Qu'on m'porte pas l'ayne
J'suis comme toi
D'une famille qui avait pas d'tunes
Que tu sois tennis man ou balrine
Ecoute, là-bas ça rejflète bien le fait qu'on en parle
Vu qu'à Microude, ma base, un quartier que la police quadrille
Les rampars de la ville et les murs d'prison on les rase quand ça d'vient grave
La patience vole en éclat avec les par-brises
Âfia, je pleins nos mères meskina
Sna èna khôk
J'veut juste être hna
fel blace
pour une daïtia
ouled bledna
pour la jeunesse dans un coma
Refrain
(Merci à bambozya pour cettes paroles)
Cheb Mami, real name Ahmed Khelifati Mohamed (born January 17, 1968 in Oujda, Algeria), is an Algerian singer considered one of the most important interpreters of pop-raï. His musical style blends traditional elements of raï music with influences from pop and world music. He gained international fame in the 1990s thanks to songs like "Prince de la Rai" and "Douni Douni", becoming a symbol of the new generation of Algerian artists. Mami has collaborated with numerous international artists, including Khaled and Jean-Jacques Goldman. His music is characterized by catchy rhythms, often romantic lyrics, and a strong social component. Among his most important albums are "Cheb Mami" (1992) and "Prince de la Rai" (1995).
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