Con permiso cantando me quiero presentar.
Voy a dejar sentao donde mi tierra está.
A esos que miden raso les quiero demostrar
qu'está donde la copia limita su cantar.
Y divide su forma según sea el litoral llanura o monte alto
si es puerto viene y va entre látigo y hambre piojito
-ráscate- los tangos las guajiras la rumba y el cuplé.
Estribillo
Voy caminando te va a salpicar
vente a la copia déjate llevar los andaluces
-no hay más qu'escuchar-
abriendo la boca se nos ve el plumar.
Se oye mejor mi canto cuando está en su lugar
qu'es donde lo maura la pura realiá
aquí traigo un ejemplo de lo que soy
na más el pueblo y sus contornos
es toa mi verdad soy de la serranía
la salitre de la mar la vega las marismas
el campo l'olivar fandango cortijero
los trovos el verdial murgas campanilleros:
la copia popular.
Carlos Cano (1924-1987) was a Spanish singer and composer of copla, a traditional Iberian musical genre. Born in Madrid, Cano began his career in the 1940s, quickly becoming one of the most popular interpreters of copla. His warm and melodious voice, along with his melancholic and romantic compositions, captivated the Spanish public. Among his most famous songs are "El Relicario", "La Paloma del Amor" and "No Me Quieras". Cano collaborated with numerous successful Spanish artists and recorded several albums that became classics of copla. His music is still appreciated in Spain and worldwide, testifying to his lasting influence on Iberian musical culture.
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