Got the city pon lock, Misteeq, know how fi rock
Keep you bubbling every day and every night
We don't wanna see you argue, fuss and fight
All we wanna do is dance and feel the vibe
Make you feel nice
Verse 1
DJ take back this track hit them again the reaction is phat
Hit them again are you feeling that?
Music is life it's a natural fact
The people with the power they make you feel poor
I wanna see the people on the dancefloor
So here I come again with a lyric hardcore I know I'm still raw
but finding rhythms dead line is law
Taste entertainment you know you want more
With the vibing galore upon the dance floor
The people go mad they make you explore
Different ways to reach an applause
This goes out for a worthy cause
Just move-a-ya body That's what it is for
Just move-a-ya body the crowds wanting more
Chorus:
You can't take us away from the music
Tantalising you can't refuse it
Beats b-line move your body don't ya lose it
Dance 'till the morning comes
Verse 2:
It's the weekend no time for sleeping
We got ya body roking, move to the track best believing
Seeing is believing as I'm riding on this track
Mis-teeq got the city pon lock
Sit down pon the riddem cos we know how fi rock
Gridlock, roadblock, the show never stops
As we take it back just for you my friend
Rewind fi all the gyal dem
Bridge:
Sometimes just gotta escape
Stay dreaming when you wake
No matter come what may
Turn the music up and dance you cares away
Chorus
Keep you bubbling every day and every night
We don't wanna see yu argue fuss and fight
All we wanna do is dance and feel the vibe
Make you feel nice
Bridge
Chorus
Mis-Teeq were a British R and B girl group active from the late 1990s to the early 2000s. Originally a quartet, the group was reduced to a trio consisting of Alesha Dixon, Su-Elise Nash and Sabrina Washington. Mis-Teeq released three studio albums: "Mis-Teeq" (2001), "Eye Candy" (2003) and "The Remixes" (2004). Among their most notable singles are "Why?", "Scandalous" and "One Night Stand". Mis-Teeq achieved moderate success in Europe and Australia, contributing to the definition of the British pop music scene of that era.
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