It ain't no use to sit and wonder why, babe
If you don't know by now
It ain't no use to sit and wonder why, baby
It just don't matter anyhow
When the rooster crows at the break of dawn
Look out of your windown, I'll be gone
You're the reason that I'm travelling on
Don't think twice it's alright
It ain't no use you calling out my name, girl
Like you never done before
It ain't no use you calling out my name, girl
I just can't hear you any more
I wish there was something you might do or say
To make me change my mind and stay
We never did too much talking anyway
Don't think twice it's alright
It ain't no use you turning on your light, babe
The light that I never knowed
It ain't no use you turning on your light, baby
'Cause I'm on the dark side of the road
Well, I'm not saying that you treated me unkind
You could have done better, I just don't mind
You just kinda wasted my precious time
Don't think twice it's alright
I'm walking down my long lonesome road, babe
Where I'm bound I can't tell
'Goodbye' is too good a word, baby
So I'll just say ''Fare thee well''
I'm thinking and I'm wondering all the way down the road
I once loved a woman, a child I'm told
I gave her my heart but she wanted my soul
Don't think twice
Don't think twice
Don't think twice it's alright
John Martyn, born Iain David McGeachy (1948-2009), was a Scottish singer-songwriter and guitarist considered one of the pioneers of British folk rock. His music, characterized by a deep voice and evocative melodies, incorporated elements of jazz, blues, and world music. Martyn began his career in the 1960s, releasing albums such as "Solid Air" (1973) and "Bless the Weather" (1974), which achieved critical and commercial success. He is known for his collaborations with artists like Beverley Knight and Van Morrison. Among his most representative songs are "May You Never", "Over the Hill", and "Small Hours". His influence on British folk rock has been profound, inspiring generations of musicians.
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