Well, it ain't no use to sit and wonder why, dear
If you don't know by now
It ain't no use to sit and wonder why, dear
'Cause it don't matter anyhow
When the rooster crows at the break of dawn
Look out your window and I'll be gone
You're the reason I'm travelling on
Don't think twice it's all right
It ain't no use in turning on your light, dear
The light, the light I've never known
It ain't no use in turning on your light, dear
I'm on the dark side of the road
Well, I wish there was something you could do or say
To try to make me change my mind and stay
We never did too much talking anyway
Don't think twice, it's all right
I'm walking down that long lonesome road, babe
Where I'm bound, I can't tell
But goodbye is too good a word gal
So I'll just say, "Fare thee well"
Now, I ain't saying you treated me unkindYou could've done better, but I don't mind
You just sort of wasted my precious time
Don't think twice, it's all right
It ain't no use in calling out my name, gal
Like you've never did before
It ain't no use in calling out my name, gal
I can't hear you anymore
Well, I'm thinking and I'm wondering, all the way down the road
I once loved a woman - A child I'm told
I gave her my heart, but she wanted my soul
Don't think twice, it's all right
Don't think twice, it's all right.
Don't think twice, it's all right...
The Brothers Four are an American folk group formed in 1957 in Seattle, Washington. Bob Flick, John Paine, Mike Kirkland and Dick Foley met at the University of Washington, where they were members of the Phi Gamma Delta fraternity in 1956 (hence the "Brothers" appellation). Their first professional performances were the result of a prank played on them in 1958 by a rival fraternity, who had arranged for someone to call them, pretend to be from Seattle's Colony Club, and invite them to come down to audition for a gig. Even though they were not expected at the club, they were allowed to sing a few songs anyway, and were subsequently hired. Flick recalls them being paid "mostly in beer." The group achieved national success in the 1960s with songs like "Greenfields", "The Sound of Silence" and "Try to Remember". They are known for their vocal harmonies and for performing traditional and original folk songs.
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