Hello boys I've been away
On a bit of a holiday
To the land where the rivers freely flow
And the cattle roam on the wild callagh
Walking home three parts pissed
I stumbled and fell in the morning mist
I fell and rolled in the hungry grass
That tells the tale of a terrible past
I screamed and ran and dreamt I fell
Down in the depths of a freezing hell
Four million people starved to death
Could smell the curse on their dying breath
Where no one ever wants to go
Down in the ground where the dead men go
To hell which is circular all around
Down in the belly of the big cold ground
The moving shadows were everywhere
The very trees seemed to bend and stare
I remembered the dunes on a Sligo shore
Screamed and ran till I could run no more
Over the fields and across the moor
I ran in the house and slammed the door
What the hell's that over there
A putrefying corpse sitting in that chair
Where no one ever wants to go
Down in the ground where the dead men go
Been drunk as a skunk since I've been home
From bar to bar like a ghost I roamed
I can't forget those things I saw
Been down with the devil in the Dalling Road
One place I don't want to go
Down in the ground where the dead men go
The lyrics DOWN IN THE GROUND WHERE THE DEAD MEN GO of POGUES is also present in the album Red roses for me (1984)
The Pogues sono una band folk punk anglo-irlandese attiva tra gli anni '80 e '90. Fondati a Londra nel 1982 da Shane MacGowan (cantante) e Jem Finer (chitarra), il gruppo ha saputo mescolare influenze tradizionali irlandesi con un sound rock energico, creando un genere unico che li ha resi iconici. Il loro stile, definito da MacGowan stesso come «musica irlandese per un giovane pubblico rock», è caratterizzato da melodie orecchiabili, testi spesso malinconici e profondi, e una forte componente di protesta sociale. Tra i brani più famosi dei Pogues ci sono "Fairytale of New York", una collaborazione con Kirsty MacColl che è diventata un classico natalizio, "A Rainy Night in Soho" e "Streams of Whiskey". L'album "Rum Sodomy and the Lash" (1985) è considerato uno dei loro lavori più importanti. Nonostante le difficoltà interne e la dipendenza di MacGowan, i Pogues hanno lasciato un segno indelebile nella musica folk punk, influenzando generazioni di artisti.
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