D-Note Is On The Beat
The Beatllionare
La diabla con un culote, la toco con la culata
Ella e' una partebicho' pero quiere que la parta
Yo soy fino pero sé ponerme el parche de pirata
Te pillo el bote y de una va' pa'l triángulo del AK
Par de brother' confinao', pero no andes confia'o
Esto no está frío, te apagamo' el aire acondiciona'o
Tú dice que la monta', cabrón, móntate en esta
Habla de cabra o lo que quiera', sabemo' que no la mete'
Dos culo', dos palo', dos peine en cada glock
Una baby llega sola, otra le llega con dos
Dos noche' chingando, dos celu, dos phickie' prendío'
Dos blackie', dos pickie' pa'l lío
Dos culo', dos palo', dos peine en cada glock
Una baby llega sola, otra le llega con dos
Dos noche' chingando, dos celu, dos phickie' prendío' (Ah)
Dos blackie', dos pickie' pa'l lío (Jejeje)
Dos palo', diez peine de tambor, catorce R-Sport (Shit)
Te mando 26 pa'l Escalade y cien pa' la Four (Ih)
La gata tuya nos vio cuando te dimo' con to'
Ella ni preguntó, me vio, me mondó y "fuap" se montó, yeh (Fuap, fuap, fuap)
Le gusta la Tequila Rosa
Y que le enganche una sortija, bien bellaca aunque ella no es mi esposa (Jajaja)
Ella sabe que toa' las glopetation tienen chip (Shit)
Y pa' to' ustede' los fuletetion están free (Prrrr)
Oh, de día y noche, de noche o por el día
Mi palo suena como la trompeta' 'e Sugar Díaz
Mi palo suena si te mando con tambore' lleno'
Paso por el canto tuyo y te vaciamo' el terreno (Prr, prr, prr)
Dos peine, dos glope'
Y dos cabrone' que no van dar break cuando te arropen
Dos car con cuatro enmascarao' full face
Pa' cuando te mandemo' no fallemo' a lo Curry y Klay
Dos culo', dos palo', dos peine en cada glock (Yeh)
Una baby llega sola, otra le llega con dos
Dos noche' chingando, dos celu, dos phickie' prendío'
Dos blackie', dos pickie' pa'l lío
Dos culo', dos palo', dos peine en cada glock
Una baby llega sola, otra le llega con dos
Dos noche' chingando, dos celu, dos phickie' prendío'
Dos blackie', dos pickie' pa'l lío
Costomizamo' los caimane' ahora son dinosaurio' (Ah; brr)
Te caí en agosto, trabajé, caché dos Jeepeta en Braulio
Hasta los cerdo' van a maleantear con este audio
Y no e' lo mismo andar con dos pelao' que con dos millonario' (Brr)
Ahora tú solo AMIRI-MIRI, yo sigo Amari
El sugar daddy, spider como los Ferrari
No ronque' de mantenerla sin tenerla
Sigue corriendo por batería' que te vamo' a fundir el Tesla (¡Plo, plo, plo, plo!)
Uy, no e' el Blanco Perla, cabrón (Ah)
Esto no e' un tema, baby, esto e' un bofetón
Uy, e-e-esto e' un brindis pa' to' los mío'
Los barrio', los caserío', los canto' que no están frío' (Jejeje; uy)
Dos peine, dos glope'
Y dos cabrone' que no van dar break cuando te arropen
Dos car con cuatro enmascarao' full face
Pa' cuando te mandemo' no fallemo' a lo Curry y Klay, yeh
Dos culo', dos palo', dos peine en cada glock
Una baby llega sola, otra le llega con dos
Dos noche' chingando, dos celu, dos phickie' prendío'
Dos blackie', dos pickie' pa'l lío (Brr)
Dos culo', dos palo', dos peine en cada glock
Una baby llega sola, otra le llega con dos
Dos noche' chingando, dos celu, dos phickie' prendío'
Dos blackie', dos pickie' pa'l lío
Yeh-yeh-yeh-yeh-yeh
You can talk to talk (Amari)
Is the Rottweilas, Inc
Seguimo' escribiendo, shit
Sí, je
Princi (Las babies son de ello')
Con traje 'e bombero puesto
Amarion
¿Te va' a hacer?
Dímelo, By
Sí, jeje
[?] (Pero le' metemo' nosotro')
Donde sea, cuando sea, a la hora que sea, motherfucker, ¿oíste?
Prr, prr, prr (Prr, prr, prr)
Cosculluela, whose real name is José Fernando Cosculluela Suárez, is a Puerto Rican rapper born in Carolina, Puerto Rico, in 1982. Considered one of the pioneers of urban reggaeton, he gained international fame with hits like «La Soga» and «El Baile». His music is characterized by fast rhythms, often provocative lyrics, and a distinctive rap flow. Cosculluela has collaborated with prominent artists such as Daddy Yankee, Wisin and Yandel, and Zion and Lennox. Among his most important albums are «The Album» (2010) and «El Jefe» (2013). His influence on the Latin American music scene has been significant, contributing to the spread of reggaeton worldwide.
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