El recuento de los daños,
del holocausto de tu amor...
son incalculables e irreparables,
hay demasiada destrucción...
lágrimas que no consiguen,
apagar el fuego que hay en mi,
hay ilusiones muertas por doquiera,
sólo quedan ruinas de mi...
En el recuento de los daños
del terrible choque en entre los dos...
del firme impacto de tus manos,
no sobrevivió mi precaución...
En el recuento de los daños,
me sales debiendo tantísimo amor,
que no puedo creer lo que escuche,
como puedes decir que te olvidaré?
Coro:
oooh no! no, no, no,
no, no puedo reponerme,
de ese beso que me subio al cielo,
que es el mismo
que ahora me unde en el infierno,
oooh no, oooh no!
Oooh no! no, no, no,
no, no puedo reponerme,
de tu forma tan cruel de abrazarme,
si sabías que no ibas a amarme
qué ganabas?
qué ganabas?
con besarme.
En el recuento de los daños
lo material todo te lo perdí,
perdí mi casa y mis amigas,
todo lo mio te lo dí.
Entre los desaparecidos:
mi resistencia y mi voluntad,
y hay algo mutilado que he pensado
que tal vez era mi dignidad...
(Coro)
The lyrics EL RECUENTO DE LOS DAÑOS of GLORIA TREVI is also present in the album Mas turbada que nunca (1994)
Gloria Trevi, all'anagrafe Gloria de los Ángeles Treviño Ruiz (1968), è una cantante e attrice messicana di fama internazionale. Considerata un'icona della musica latina, ha raggiunto il successo negli anni '90 con un sound pop-rock energico e testi che affrontavano temi come l'amore, la libertà e la femminilità. La sua carriera è stata segnata da successi come "Pelo Suelto", "Zapatos Rojos" e "La Casa del Amor", che hanno conquistato le classifiche musicali in tutto il mondo. Oltre alla musica, Trevi ha recitato in alcuni film e telenovelas messicani, consolidando la sua presenza nel panorama culturale latinoamericano. La sua vita personale è stata spesso al centro dell'attenzione dei media, con alti e bassi che hanno contribuito a creare un'immagine di artista complessa e controversa. Nonostante le controversie, Gloria Trevi rimane una figura influente nella musica latina, apprezzata per la sua energia scenica, il suo talento vocale e la capacità di affrontare temi sociali e personali nei suoi testi.
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