La Gusana Ciega

Lyrics En abril La Gusana Ciega

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En abril


Llevo horas despierto
mirando tu cuerpo sin poderlo creer,
cuidando tus sueños del amanecer.

Nuestro tiempo se acaba,
es algo finito no tiene razón.
Escucho el latido de tu corazón.

Te levantas de la cama
caminas descalza por la habitación,

y yo me pregunto si volverás a mi ventana.

Abre tu cuerpo no tengas miedo,
voy a robarme tu corazón,
voy a escaparme por tu cintura,
voy a robarme tu corazón.

Todo pierde sentido,
no tengo destino me subo al camión.
La gente se empuja a mi alrededor.

El amor es un instante
no es algo constante, no se puede atrapar,

y yo me pregunto si volverás a mi ventana.

Abre tu cuerpo no tengas miedo,
voy a robarme tu corazón,
voy a escaparme por tu cintura,
voy a robarme tu corazón.

Abre tu cuerpo no tengas miedo,
voy a robarme tu corazón.

En Abril no es el momento
sabes que mis flores tienen que crecer.

Las flores salvajes se recogen todo el año.

Abre tu cuerpo no tengas miedo,
voy a robarme tu corazón,
voy a escaparme por tu cintura,
voy a robarme tu corazón.

Abre tu cuerpo no tengas miedo,
voy a robarme tu corazón,
Abre tu cuerpo no tengas miedo,
voy a robarme tu corazón.

Thank you because you correct this lyrics
 
The lyrics EN ABRIL of LA GUSANA CIEGA is also present in the album Monarca (2014)

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Biografia

La Gusana Ciega is an Argentine rock alternative group with Latin and punk influences. Active since 1998, the group has gained popularity thanks to ironic and satirical lyrics that address social and political issues. The original lineup included: Juan Pablo “El Pájaro” González (vocals), Diego “El Chino” Rodríguez (guitar), Martín “El Tío” (bass) and Nicolás “Nico” (drums). Among their most important albums are *La Gusana Ciega* (2001), *Correspondencia Interna* (2003) and *Cronicas* (2006). Some of the group's most representative songs are: «El Baile de la Muerte», «No Me Digas Que No» and «Los Pibes». La Gusana Ciega is considered one of the most influential bands in the contemporary Argentine music scene.

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