Dunque esci anche stasera hai
qualcosa da sbrigare no non
negarlo tanto si vede che ti va di
farlo.
Non ti chiedo quando torni, mi
risponderesti male.
E fammi capire dove ho sbagliato,
me lo devi dire.
Dimmelo chiaro che cosa non va
tu lo sai bene non voglio pietà.
Eppure stiamo insieme e la brava
gente invece crede che stiamo bene
io e te, e invece la notte è un
inferno oramai, e giorno per giorno
ci uccide il tram tram.
Eppure stiamo insieme una
convivenza strana che fa male a me
e a te.
Lente scorrono le ore io ripenso al
nostro amore era un bambino è
diventato un uomo in un mattino.
Per questo ti amo e ancora lo sai
per questo ti voglio coi difetti che
hai.
Eppure stiamo insieme ed è
proprio, proprio vero che stiamo
bene io e te.
Io lotto col cuore, col tempo che va
col mondo cattivo che male mi fa.
Eppure stiamo insieme una
convivenza strana che fa male a me
e a te.
E lotto col cuore, col tempo che va
col mondo cattivo che male mi fa.
Eppure stiamo insieme.
puoi sopportarmi ancora un po'
E poi, e poi domani passerà
tu spezza il cerchio all'abitudine
di tanti giorni vuoti e stupidi
un po' e poi domani capirai che
non abbiamo corso a vuoto sai se
cuore torna ancora a illuderci
na na?na na naaa.
Mia Martini, born Domenica Rita Adriana Bertè (1947-1995), was one of the most important and beloved Italian singers. Born in Bagnoli Irpino, in the province of Avellino, she began her musical career in the 1970s, captivating audiences with her powerful and emotive voice, characterized by a unique and recognizable timbre. Her music, ranging from songwriting to pop-rock, was often introspective and deeply personal, touching on themes such as love, loneliness, and the search for identity. Among her most famous songs are "Minuetto", "Al di là", "E non ho paura", "Ti lascio andare" and "Il cielo in una stanza". Mia Martini collaborated with some of the greatest Italian musicians, including Lucio Dalla and Francesco De Gregori. Her career was marked by both discographic successes and personal struggles. Her untimely death in 1995 left an unfillable void in Italian music.
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