(AriBeatz)
Mes amis sont loyaux, de l'oseille, des joyaux
Hiyo, j'suis noyau dur, j'ai mouillé l'maillot
Oh mama na yo, à porte Maillot
Au warni j'commande une bavette d'aloyau
Hey, ses Louboutin sur le tableau d'bord
Les mecs qui la regardent ont foncé dans l'mur
Des yeux de fou, une chevelure de malade
T'as raison fils de pute, j'suis dans l'futur
Allez nik omouk hein, haleine de bouc, hein
On a sicarios, comptables et avocats
Une paire de Requin, un joint d'marocain
J'vais tous les baiser khoya, j'suis dans mon haqq, hein
11.43 se pointe devant toi
Le canon s'allume à midi quarante-trois
T'es garant d'toi-même
Sache mon petit qu'une bastos dans l'cul, ça rend droit
Les keufs enquêtent semaine, week-end
La weed américaine me ken, massage, Phuket
J'suis avec Jul, on les encule
Mitard sous la canicule, même la BRB jamais nous manipule
Petit fils de puto, tu m'sors le couteau
Le point rouge du laser visera pas le poteau
Ramène une photo, poto
Si c'est d'la frappe, j'repasserai en moto
Là, c'est la zone (Ouais)
C'est la rue en personne (Ouais)
Je compte pas quand j'donne (Ouais)
Et y a personne qui mythonne (Ouais)
Mental Mexico (Ouais)
On prend pas la coco (Ouais)
Embrouille, tous dans l'Vito (Ouais)
On va te lever, puto (Ouais)
Lacrim, Jul, ouais
Anti-bâtards, ouais, anti-bâtards, ouais, anti-bâtards, ouais
Lacrim, Jul, ouais
Anti-bâtards, ouais, anti-bâtards, ouais, anti-bâtards, ouais
Toujours chaud, t'inquiète pas, ils veulent m'éteindre à petit feu
Les Oakley dans la Audi, j'me camoufle avec la petite
Allez, pcht, pcht, respire la fumée du shit, shit
Et chut, chut, ferme ton cul quand tu vois les schmitts, schmitts
Beaucoup disaient que j'allais pas tenir
Six ans que j'ai percé, ils me reste peu de partenaires (Bien sûr)
Fais pas la pute avec ton pote à l'avenir
En rentrant, tu pourrais voir des mecs cagoulés dans l'Partner
À la base j'ai pas d'salaire au mic, j'touchais même pas le Smic, Smic, Smic
Là j'suis connu, c'est magnifique, j'galérais avec Tchyc-Tchyc
T'sais qu'ça parle pas ching-chong, Lacrim et Jul, c'est crr-crr pah dans dans ta tête
Balle dans ta tête, balle dans ta tête
La Machine est dans la zone, j'assassine sur la scène
J'fais des sommes, je les saigne et j'ai les crocs mais sales
Bientôt, ils rayent le sol, s'il faut, j'fais tout seul
De moi, je m'isole et j'fais du plata, poto
Que du sale, j'ai la mentale à l'ancienne
À l'ancienne, que j'écris, j'suis posé devant la piscine
Pas de yacht, non, pas d'hélico
Ça a pas changé, tête de corsico, traîne avec bicots
Mental Mexico, Marseillais, parigots
On a les crocs, les p'tits font les grands depuis qu'Pequeno s'est fait Maleco
(Jul, Jul) Hein, c'est l'Ovni
Là, c'est la zone (Ouais)
C'est la rue en personne (Ouais)
Je compte pas quand j'donne (Ouais)
Et y a personne qui mythonne (Ouais)
Mental Mexico (Ouais)
On prend pas la coco (Ouais)
Embrouille, tous dans l'Vito (Ouais)
On va te lever, puto (Ouais)
Lacrim, Jul, ouais
Anti-bâtards, ouais, anti-bâtards, ouais, anti-bâtards, ouais
Lacrim, Jul, ouais
Anti-bâtards, ouais, anti-bâtards, ouais, anti-bâtards, ouais
Hey, hey
Lacrim, real name Karim Zenoud, is a French rapper of Algerian origin born in Paris in 1983. Considered one of the leading figures in contemporary French rap, Lacrim has gained widespread popularity thanks to his raw and honest music that tackles themes such as urban violence, social difficulties, and everyday life in the Parisian suburbs. His musical style is characterized by intricate rhymes, aggressive flow, and direct lyrics that reflect his personal experiences. After collaborating with several artists in the French hip-hop scene, Lacrim debuted in 2008 with the album "Le Chant du Loup", followed by successes such as "Lacrim" (2010) and "Corida" (2013). Among his most representative songs are "J'ai la haine", "On s'aime bien", and "Ma vie". Lacrim is known for his energetic and engaging performances, which have led him to perform at numerous festivals and venues throughout France. His music has had a significant impact on French hip-hop culture, influencing a new generation of artists.
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