He walked down a busy street
Staring solely at his feet
Clutching pictures of past lovers at his side
Stood at the table where she sat
And removed his hat
In respect of her presence
Presents her with the pictures and says
'These are just ghosts that broke my heart before I met you.
These are just ghosts that broke my heart before I met you'
Opened up his little heart
Unlocked the lock that kept it dark
And read a written warning
Saying 'I'm still mourning
Over ghosts
Over ghosts
Over ghosts
Over ghosts that broke my heart before I met you'
Lover, please do not
Fall to your knees
It's not
Like I believe in
Everlasting love
He went crazy at nineteen
Said he'd lost all his self esteem
And couldn't understand why he was crying
He would stare at empty chairs
Think of the ghosts that once sat there
The ghosts who broke his heart.
All the ghosts that broke my heart
The ghosts that broke his heart
All the ghosts that broke my heart
the ghosts the ghosts the ghosts the ghosts the ghosts the ghosts
The ghosts that broke my heart before I met you
Lover, please do not
Fall to your knees
It's not
Like I believe in
Everlasting love
He says 'I'm so lost,
Not at all well'
Do as though there is nothing left to be
Turned out I'd been following him and he'd been following me
Do as though after it was over
We were just two lovers crying on each others shoulders
And I said
"Lover please do not
Fall to your knees
It's not
Like I believe in
Everlasting love
Lover please do not
Fall to your knees
It's not
Like I believe in
Everlasting love
Laura Beatrice Marling (born February 1, 1986) is a British singer-songwriter known for her delicate melodies and introspective lyrics that explore themes of love, loss, and personal growth. She rose to prominence in the early 2000s with her acoustic folk style, influenced by British singer-songwriters such as Joni Mitchell and Nick Drake. Her debut album, *Alas I Cannot Swim* (2008), was critically acclaimed and established her as one of the most promising voices in contemporary music. Throughout her career, she has explored various musical genres, transitioning from folk to alternative rock, while maintaining a distinctive sonic identity. Some of her most notable albums include *I Speak Because I Can* (2010), *A Creature of Habit* (2013), and *Semper Femina* (2017). Marling has been nominated for numerous awards, including the Mercury Prize and the Brit Award.
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