From in the shadow
She calls
And in the shadow
She finds a way
And in the shadow
She crawls
Clutching her faded photograph
My image under her thumb
Yes with a message for my heart
She's been everybody else's girl
Maybe one day she'll be her own
Everybody else's girl
Maybe one day she'll be her own
And in the doorway
They stay and laugh
As violins fill with water
Screams from the bluebells
Can't make them go away
We'll I'm not seventeen
But I've cuts on my knees
Falling down
As the winter takes one more cherry tree
Rushin' rivers thread so thin limitation
Dreams with the flying pigs turbid blue
And the drugstores too safe
In their coats
Anda in their do's
Yeah smother in our hearts
A pillow to my dots
One day maybe
One day
One day she'll be her own
And in the mist
There she rides
And castles are burning in my heart
And as I twist I hold tight
And I ride to work every morning
Wondering why
"Sit in the chair and be good now" And become all that they told you
The white coats enter her room
And I'm callin' my baby
Callin' my baby
Callin' my baby
Callin' everybody else's girl
Maybe one day she'll be her own
Myra Ellen "Tori" Amos (Newton, Massachusetts, August 22, 1963) is an American singer-songwriter, pianist, and record producer. Considered one of the most important female figures in rock music of the 1990s, Amos has won over critics and audiences with albums like *Little Earthquakes* (1992), *Under the Pink* (1994), and *From the Choirgirl Hotel* (1998). Her music is characterized by a strong emotional impact, introspective lyrics that explore themes of femininity, religion, and personal trauma, and a unique blend of virtuoso piano playing and pop melodies. Among her most representative songs are *Cornflake Girl*, *Silent All These Years*, and *Professional Widow*. Amos has collaborated with artists such as Dave Matthews and Elton John, and has been nominated for a Grammy Award for her music.
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