for us every thing's alright
dance on the ruins in the twilight
if the end is near,
we can spin the records we hold dear
and disregard all the red tape
you know it didn't matter in the first place
what side we're on,
as the vines of neglect climb upon
armageddon, thick and thin
these are the last songs of a generation
my soundtrack to the end
the blueprint's in the basement
but I don't think anyone will save it
for us every thing's alright
dance on the ruins in the twilight
if the end is near,
we can spin the records we hold dear
our motivation suddenly rings clear
armageddon, thick and tin
these are the last songs of a generation
my soundtrack to the end
this is the last time
Tim Hecker is a Canadian musician known for his experimental work in ambient and drone electronic music. Born in Victoria, British Columbia, in 1976, Hecker began his musical career in the 1990s with the noise rock project *The Caretaker*. In 2003, he released his first album under the name Tim Hecker, *Harmony in Ultraviolet*, marking the beginning of his exploration of ambient sound. Hecker is renowned for his ability to create dense and hypnotic sonic atmospheres, often utilizing digital effects and advanced sampling techniques. His work has been influenced by artists such as Brian Eno, Stars of the Lid, and Aphex Twin. *Virgins*, released in 2013, is Hecker's seventh studio album and features collaborations with Kara-Lis Coverdale. The album is characterized by a more introspective and meditative sound compared to his previous works. Some representative tracks by Tim Hecker include *The Virgins*, *Harmony in Ultraviolet*, and *Ravedeath, 1972*.
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