I will save you from your destiny I will guide you to the embrace of time.
through the shadows of the darkest day I know all you need to know about me
Against that time if ever come when I will see your damned face
against that time when you will pass and you won't meet my mad gaze
against that time you have to start to run more fast than you can do
because you know that you deserve my angry screams upon you
Why are you saying this to me, I've given you all you need rumours and lies to your ears
Something lost and something you've taken away from this life diamonds and mist for yourself
Against that time if ever come when you will stand in front of me
against that time when you will cry when you'll beg for my mercy
against that time you have to start to run more fast than you can do
because you know that you deserve my angry words upon you
I'll give you back your lies
with all the hatred of my heart
I'll tell you for the last time
that your life is useless
You had all of myself into your hands, but you betrayed my feelings
I'll give you back your lies
with all the hatred of my heart
I'll tell you for the last time
that your life is useless
I will save you from your destiny I will guide you to the embrace of time.
Against that time when you will lie for hundred times and over
remember the time when you were shit but now you're less than nothing
against that time you have to start to run more fast than you can do
because you know that you deserve to die alone without me
I'll give you back your lies
with all the hatred of my heart
I'll tell you for the last time
that your life is useless
You had all of myself into your hands, I won't forget your evil...
The lyrics HATE of TYSTNADEN is also present in the album In our eye (2008)
Tystnaden (Il silenzio) è un film del 1963 diretto da Ingmar Bergman, ultimo episodio della cosiddetta Trilogia del silenzio di Dio, iniziata nel 1961 con Come in uno specchio e proseguita l'anno seguente con Luci d'inverno. Il film racconta la storia di un gruppo di monaci che vivono in una remota abbazia medievale e si confrontano con i dubbi esistenziali e le difficoltà della fede. La pellicola esplora temi come la solitudine, il dubbio religioso, la ricerca di significato nella vita e l'impossibilità di raggiungere la vera pace interiore. Bergman utilizza un linguaggio visivo potente e suggestivo, caratterizzato da lunghi silenzi, inquadrature statiche e una fotografia monocromatica che contribuisce a creare un'atmosfera cupa e introspettiva. Il film è stato accolto con grande successo dalla critica e considerato uno dei capolavori di Bergman.
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