When I look into your eyes.
Your drop like an anchor eyes.
I scudded and clipped the sky
Just shy of making it.
And you almost got away.
I told you I was afraid.
Did I really want to try
You're holding me to my claim
I jump on a high speed train
I'll never look back again
I flail like the antelope
Who jumped from the building
and you caught me on the sly
you've taken me by surprise.
you've mirrored my best disguise and
turned it back on me.
I jump on a high speed train
I'll never look back again
I flail like the antelope
Who jumped from the building
I jump on a high speed train
I'll never look back again
To Berlin, Kyoto or Marseilles
I'd go anywhere for you
I'll bring you a big bouquet
I picked it myself today
it compliments your eyes
there's love at the end of the line
I jump on a high speed train
I'll never look back again
I flail like the antelope
Who jumped from the building
I jump on a high speed train
I'll never look back again
To Berlin, Kyoto or Marseilles
I'd go anywhere for you
And that's what I always knew
I'd like to have hung the moon.
I'd wrestle you for a spoon inside your sleeping bag.
Just us.
No war. no hate. no past.
It's real.
I'm here. I'm yours. I'm fast.
I'm long in the eye
I'm cry when I try
I just want to fly
Just you and I, together
The lyrics HIGH SPEED TRAIN of R.E.M. is also present in the album Around the sun (2004)
R.E.M. è stata una band rock americana formatasi ad Athens, in Georgia, nel 1980. Considerati uno dei gruppi più influenti nella formazione dell'alternative rock e dell'indie, R.E.M. sono diventati uno dei gruppi rock più grandi al mondo nei primi anni '90. Inizialmente hanno attirato un seguito underground, ma la loro popolarità è poi sbocciata in un successo mainstream, passando da locali affollati a stadi sportivi e festival durante una carriera che ha attraversato tre decenni. Il gruppo era composto da Michael Stipe (voce), Peter Buck (chitarra), Mike Mills (basso) e Bill Berry (batteria). R.E.M. è nota per il suo sound caratteristico, un mix di melodie orecchiabili, testi poetici e arrangiamenti sperimentali. Alcuni dei loro brani più rappresentativi includono "Losing My Religion", "Everybody Hurts", "It's the End of the World as We Know It (And I Feel Fine)" e "The One I Love". Tra i loro album più importanti ricordiamo "Automatic for the People" (1992) e "Monster" (1994).
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