Say you were split, you were split in fragments
and none of the pieces would talk to you
Wouldn't you want to be who you had been
well, baby I want that, too
So better take the keys and drive forever
Staying won't put these futures back together
All the perfect drugs and superheroes
wouldn't be enough to bring me up to zero
Baby you're great, you've been more than patient
saying it's not a catastrophe
but I'm not the girl you once put your faith in
just someone who looks like me
So better take the keys and drive forever
Staying won't put these futures back together
All the perfect drugs and superheroes
wouldn't be enough to bring me up to zero
So get out while you can
Get out while you can
Baby, I'm pouring quicksand
And sinking is all I had planned
So better just go
Oh, better take the keys and drive forever
Staying won't put these futures back together
All the perfect drugs and superheroes
wouldn't be enough to bring me up to zero
All the king's horses and all the king's men
couldn't put baby together again
All the king's horses and all the king's men
couldn't put baby together again
Aimee Mann is an American singer-songwriter known for her indie pop style characterized by introspective lyrics and enveloping melodies. She began her career in the 1980s as the lead vocalist of the band 'Til Tuesday, achieving moderate success with singles like "Voices Carry". After the band's disbandment, Mann embarked on a successful solo career, releasing critically acclaimed albums such as "Bachelor No. 2" (1993) and "Magnolia" (1999), the latter being the soundtrack to Paul Thomas Anderson's film of the same name. In 2003, Mann founded her own record label, SuperEgo Records, to have greater control over her music. Her subsequent albums, such as "The Forgotten Arm" (2005) and "@#% and *!" (2017), have solidified her status as a successful independent artist. Some of Aimee Mann's most representative songs include "Save Me", "Wise Up", and "Deathly".
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