(Featuring Eminem/Obie Trice)
[Eminem (Obie Trice)]
KaySlay! (Yeah) Yo..
Drama King! (Yeah!)
Check it out, check it out - O. Trice!
(Shady Records nigga, it's goin down once again boy)
It's just a scratch man (Let's go Em)
[Eminem]
I +Murder+ this +Inc+ as soon as I touch the page
You ain't gon' have no other choice but to rush the stage
and charge the mic, and I hope you got the heart to fight
Cause you gon' have to, cause you ain't got the smarts to write
somethin that good, to try to come back at me with
What you gon' do, try to out-rap me with that happy shit?
You motherfuckers crack me up
Talkin bout you gonna smack me up, y'all won't even back me up
Throw up your paws, you pussies can't even scratch me hard
It's like fuckin Castor Claw tryna jack me off
You think I'm afraid? What you tryna throw some fear in me?
You think I'm dumb enough to roll with no security? {*gun clicks*}
I'm doin my best to try to show maturity
But don't sit there and stare at me like hoes and sneer at me
like it's supposed to be scarin me
Like I won't leap clean over this fuckin V.I.P. rope and throw this chair
at anyone close or near me tryna approach me physically
cause he don't spit lyrically
And he knows that my flow's so sick, this hoe's on my dick
and he's so sick of hearin me, my posters is starin at him
But I don't think he knows the severity
of what it could escalate to or that it could grow so seriously
if I go hysterically; cause I guarantee
there's no one in here that would resort like a childhood
any quicker than I would, or hit you with plywood
Especially when I'm sippin on this liquor and tonic
One swig of this bottle I'ma go upside your head so hard with it
the mark from it'll be so dark that it'll leave a scar so big
you'll be able to read a label from the motherfuckin
sticker that's on it; I'm sick of the nonsense
Shit is ridiculous and I refuse to let it get to this point
where I'ma let you sit on my conscience - I'm gone bitch, YEAH!
[Obie Trice (Eminem)]
I'm gone bitch
Shady Records motherfucker, we gone bitch
I said we gone bitch, so long bitch
Catch up if you can (whoo!) we movin on bitch (UHH!)
[Obie Trice]
Now who you know been to Kyoto, Tokyo
off of one debut, screamin, "I'm in Janai yo!"
Obie Trice, sho' you right
He done seen overseas, he's not a prototype (nah)
Nobody's protégé, Em only showed O. the way
Fuck what the media say
If you listen to music then you should know that O. Trice fused it
in a matter where he speaks how the streets views it
Choose, to translate it through the art of music
and started usin it reachin the youth influenced by the truth in it (truth!)
And as a boy, a man, I ran from boys in vans
Do the knowledge, acknowledge and try to comprehend
Hand full of contraband
A product of my environment, narcotics and violence
Inspires the content, but my intent is
to retire these tired-ass writers in si-lence (yeah!)
Cause haters they hate us cause Shady became famous
and claimed the rap game when they thought he'd be nameless (hah!)
But racist accusations won't change us
Let the truth be told, you think O. will be over here
like, "Massa, show 'em you got soul" - no!
Anybody knows us know this not how we roll
So, I still push the bucket
If I ain't trust it I wouldn't fuck with it
But fuck it, I'm gone bitch! [two gunshots]
DJ Kay Slay is an American DJ and record producer known for his hard-hitting style in the hip hop genre. Active since the late 1990s, he gained fame as one of the pioneers of the mixtape, contributing to launching the careers of numerous emerging artists. He is considered a key figure in the New York hip hop scene and has collaborated with some of the most important names in the genre, including Jay-Z, Nas, Snoop Dogg, and Eminem. Among his most notable works are the mixtapes "Streetsweeper", "More Than Just A DJ" and "74 Minutes of Drama". His style is characterized by a fast pace and bold samples, which have helped define the aesthetics of underground hip hop.
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