(feat. Maddy Prior)
'Hiawatha's Departure'
By The Shore Of Gitche Gumee
By The Shining Big-Sea-Water
At The Doorway Of The Wigwam
In The Early Summer Morning
Hiawatha Stood And Waited
All The Air Was Full Of Freshness
All The Earth Was Bright And Joyous
And Before Him Through The Sunshine
Westward Toward The Neighbouring Forest
Passed In Golden Swams, The Ahmo
Passed The Bees, The Honey-Makers
Burning, Singing In The Sunshine
Bright Above Him Shone The Heavens
Level Spread The Lake Before Him;
From Its Bosom Leaped The Sturgeon
Sparkling, Flashing In The Sunshine
On Its Margin The Great Forest
Stood Reflected In The Water
Every Tree-Top Had Its Shadow
Motionless Beneath The Water
From The Bow Of Hiawatha
Gone Was Every Trace Of Sorrow
As The Fog From Off The Water
As The Mist Of The Meadow
With A Smile Of Joy And Gladness
With A Look Of Exultation
As Of One Who In A Vision
Sees What Is To Be, But Is Not
Stood And Waited Hiawatha
Toward The Sun His Hands Were Lifted
Both The Palms Spread Out Towards It
And Between The Parted Fingers
Feel The Sunshine On His Features
Flecked With Light His Naked Shoulders
As It Falls And Flecks An Oak-Tree
Through The Rifted Leaves And Branches
O'er The Water Floating, Flying
Something In The Hazy Distance
Something In The Mist Of Morning
Loomed And Lifted From The Water
Now Seemed Floating, Now Seemed Flying
Coming Nearer, Nearer, Nearer
Was It Shingebis, The Diver?
Or The Pelican, The Shada?
Or The Heron, The Shuh-Shuh-Gah?
Or The White Goose, Waw-Be-Wawa,
With The Water Dripping, Flashing
From Its Glossy Neck And Feathers?
It Was Neither Goose Or Diver
Neither Pelican Nor Heron
O'er The Water Floating, Flying
Through The Shining Mist Of Morning
But A Birch Canoe With Paddles
Rising, Sinking In The Sunshine
Dripping, Flashing In The Sunshine
And Within It Came A People
'The Song Of The Evening Star'
Can It Be The Sun Descending
O'er The Level Plain Of Water
Or The Red Swan Floatin, Flying
Wounded By The Magic Arrow
Staining All The Waves With Crimson
With The Crimson Of Its Lifeblood
Filling All The Air With Splendour
Filling All The Air With Plumage
Yes, It Is The Sun Descending
Sinking Down Into The Water
All The Sky Is Stained With Purple
All The Water Flushed With Crimson!
No, It Is The Red Swan Floating
Diving Down Beneath The Water
To The Sky Its Wings Are Lifted
With Its Blood The Waves Are Reddened!
Over It The Star Of Evening
Melts And Trembles Through The Purple
Hangs Suspended In The Twilight
Walks In Silence Through The Heavens!
(From the poem "The Song Of Hiawatha")
Michael Gordon Oldfield, known simply as Mike Oldfield, is a British composer and multi-instrumentalist born in London in 1953. Considered one of the pioneers of new age music, Oldfield achieved international fame with his debut album *Tubular Bells* (1973), a monumental instrumental composition that became a global success thanks to its soundtrack for the film *The Exorcist*. Oldfield is known for his ability to blend musical genres, ranging from progressive rock to folk rock, from classical music to electronic. Among his most important albums are *Hergest Ridge* (1974), *Ommadawn* (1975) and *Platinum* (1982). Oldfield has collaborated with numerous artists, including Maggie Reilly, the female vocal choir The London Philharmonic Orchestra and musicians from the progressive rock group Genesis. Some of his most representative tracks are: *Tubular Bells*, *Moonlight Shadow*, *Guilty*, *Amarok*.
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