Darkness in the garden
The prayers of the Desired of Nations are spent
As the blood drips from His flesh
Treachery
The traitor's kiss of love was active malignity
As his hanging and disembowelment would testify
He had betrayed innocent blood
With torches and weapons
They came to take Him away
The High Priest's servant, Malchus, his ear severed
From his head by the sword of Cephas
Was healed instantly by the touch of Christ
They took Christ to Caiaphas, He went resigned to die
The death sentence wielding
Such was denied Sanhedrin
Pilate unyielding save to the political will
Clenching a mandate in one hand
Reluctance in the other
The latter of small consequence
With the former beholden
His wife was plagued by nightmares
Whilst he was haunted by
The nightmare of insurrection
The crowd outside was gathering
"Crucify" was the refrain
Of their liturgy of death
Pilate claimed innocence of this man's blood
Just before he sentenced Him to die in agony
They abused the boundaries
Of their temporal jurisdiction
Unbeknownst to them establishing
The eternal kingdom
Paramaecium was an Australian musical group active from 1991 to 2003, specializing in a genre that blends elements of doom metal, death metal and Christian metal. Their sound was characterized by the slow tempos and rhythmic patterns typical of doom metal, enriched by the use of orchestral instruments such as flute, violins and cello, creating a dark and melancholic atmosphere. This combination brought them closer to bands like My Dying Bride, especially in their debut album *Exhumed of the Earth*. Paramaecium are considered one of the most important realities of the Australian Christian metal scene of the 1990s.
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