Sommer 1943
Das Land vernarbt
Das Leid wütet gnadenlos
Der Hunger führt das Zepter
Nicht alle Kinder leben sorgenlos
Nur Iphigenie tanzt den ganzen Tag
Sie lacht gerne, liebt den Tag
Jeden Tag bis zu jenem Tag
einem Freitag
Wo ist Iphigenie ?
Wo ist Iphigenie ?
Keiner hat das Kind gesehen.
Wo ist Iphigenie ?
Sie spielt so gerne ganz allein.
Wo ist Iphigenie ?
Die Mutter ruft vergebens.
Wo ist Iphigenie ?
Umsonst sucht auch der Bruder.
Wo ist Iphigenie ?
Wo ist Iphigenie ?
Wo ist ...
Ihr Vater schickte sie in die Metzgerei am Ort
Zu einem freundlichen kleinen dicken Mann
Und er mochte kleine Mädchen
Besonders ihr Fleisch
Es war so zart und Schlachtvieh war rar
Das Messer blitzt und tranchiert geschickt und lautlos ihren kleinen Körper
Stück für Stück
trennt er das Fleisch von den Knochen
Es ist Sonntag Mittag.
Die Familie sitzt zu Tisch.
Der Braten riecht gar köstlich.
Die Mutter sitzt am Tisch - Wo ist Iphigenie ?
Der Vater sitzt am Tisch - Wo ist Iphigenie ?
Der Bruder sitzt am Tisch - Wo ist Iphigenie ?
Der Metzger weiß von nichts - Wo ist Iphigenie ?
Der Braten mundet köstlich - Wo ist Iphigenie ?
The lyrics IPHIGENIE of GOETHES ERBEN is also present in the album Der traum an die erinnerung (1992)
Goethe's Erben è un gruppo musicale tedesco formatosi nel 1989. Conosciuti per il loro sound darkwave e post-punk, hanno pubblicato diversi album di successo tra cui "Nichts bleibt wie es war", "1. Kapitel", "Der Die Das", "Schach ist nicht das Leben" e l'album omonimo "Goethes Erben". Il gruppo è guidato da Oswald Henke, figura chiave della scena musicale tedesca degli anni '90. Le loro canzoni spesso esplorano temi di isolamento, alienazione e la ricerca di identità in un mondo complesso. Tra i brani più rappresentativi si possono citare "Der Tag", "Die Nacht", "Schach ist nicht das Leben" e "Alles was zählt". Goethe's Erben hanno contribuito a definire l'estetica darkwave tedesca, influenzando generazioni di musicisti.
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