Do do do do... do do do do do... hi-yea. Do do do do...
Dropped off the edge again down in Juárez,
"Don't even bat an eye if the eagle cries," the Rasta man says.
Just 'cause the desert likes young girl's flesh and,
Do do do do do... No angel came... No angel came... do do do do...
I don't think you even know what you think you just said.
So go on, spill your seed, shake your gun to the Rasta man's head.
'Cause the desert- she must be blessed and,
No angel came... No angel came... (Is it mine?) No angel came... do do do do do...
There's a time to keep it up, a time to keep it in.
The Indian is told the cowboy is his friend.
A time to keep it up, there's a time to keep it in.
The Indian is told the cowboy is his friend.
You know that I can breathe even when I cheat.
Should. Should. Should. Should. Should.
Should've been over for me. (Is it mine?)
Do do do do... do... do do do do... hi yea.
No angel came... No angel came... (do do do...)
No angel came... (Is it mine?) No angel came... (Do do do do do...)
No angel came... No angel came... No angel came... No angel came...
The lyrics JUÀREZ of TORI AMOS is also present in the album To venus and back (1999)
Myra Ellen "Tori" Amos (Newton, Massachusetts, 22 agosto 1963) è una cantautrice, pianista e produttrice discografica statunitense. Considerata una delle figure più importanti del rock al femminile degli anni novanta, Amos ha conquistato critica e pubblico con album come *Little Earthquakes* (1992), *Under the Pink* (1994) e *From the Choirgirl Hotel* (1998). La sua musica è caratterizzata da un forte impatto emotivo, testi introspettivi che esplorano temi di femminilità, religione e trauma personale, e una combinazione unica di pianoforte virtuosistico e melodie pop. Tra i suoi brani più rappresentativi figurano *Cornflake Girl*, *Silent All These Years* e *Professional Widow*. Amos ha collaborato con artisti come Dave Matthews e Elton John, ed è stata nominata al Grammy Award per la sua musica.
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