La belle Debbie debout d'un bond
Au tout début me bouda
Puis elle trouva de bon ton
Que je lui dise vous comme à une diva
J'ôtais ses beaux boutons d'habits
Je mis un vieux CD d'ABBA
Alors, elle s'enhardit
Et Dieu soit loué s'amadoua
Elle voulu deux doigts de Bourbon
"Merci ça finit mal quand je bois"
Je me suis mis à faire le gibbon
Elle se tordait comme le boa
Je lui récitais ma leçon
Doux comme un ourson venu pour ça
Puis-je votre peau de bonbon
L'effleurer comme une tumba ?
Et j'ajoute pour être tout à fait juste
Ces miroirs où elle se projette
Ces rires auxquels elle est sujette
Et ses jolies mains qui s'agitent
Oh j'ajoute...
Je lui récitais du Rimbaud
Elle disait peut-on tomber plus bas
Elle borda ses yeux de charbon
Pour me tendre un bâton de Cuba
Les liqueurs, nous les avons bues
Quand il n'est plus resté de tabac
Elle m'avoua, je revis
Désirez-vous que l'on se revoie ?
Et j'ajoute pour être tout à fait juste
Ces miroirs où elle se projette
Ces rires auxquels elle est sujette
Et ses jolies mains qui s'agitent
Et j'ajoute pour être tout à fait juste
Ces moments salés où elle me laissa
Ces secrets qu'elle me consacra
Ces formes où je m'étais ancré
Ces cris...
Quand son mari entra
Francis Cabrel is a French singer-songwriter and guitarist born in Agen on November 23, 1953. Heavily influenced by Bob Dylan, he has released numerous albums that primarily fall within the folk genre, with occasional forays into blues or country. Several of his songs, such as "L'encre de tes yeux" and "Petite Marie", have become enduring favorites in French music. Others, such as "C'etait l'hiver", about the suicide of a young girl, have since been covered by other artists such as Canadian Isabelle Boulay. Among his most important albums are "Les Morts de la nuit" (1980) and "Hors-Saison" (1987). Cabrel is known for his catchy melodies, poetic lyrics, and intense interpretation.
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