Je suis biaiseuse chez Paquin
Pour mon métier j'ai le béguin
Les veillées c'est tout mon bonheur
J'suis pas pour la journée d'huit heures
Et le travail de nuit me fait pas peur
Avec ardeur avec entrain
Je biaise du soir au matin
Quand mes parents m'voient pas rentrer
Y disent y'a pas à s'inquiéter
Elle est encore en train d'biaiser
Dans les grandes maisons d'couture
Y'en a qui sont trottins
Y'a des vendeuses et par nature
Y'en a qui sont mannequins
Y'en a qui font des corsages
D'autres qui font des surjets
Moi Mesdames Messieurs mon ouvrage
C'est d'faire des robes en biais
Pour bien biaiser une robe ma fois
Y'en a pas deux, pas deux comme moi
Je suis biaiseuse chez Paquin
Pour mon métier j'ai le béguin
Les veillées c'est tout mon bonheur
J'suis pas pour la journée d'huit heures
Et le travail de nuit me fait pas peur
Avec ardeur avec entrain
je biaise du soir au matin
Quand mes parents m'voient pas rentrer
Y disent y'a pas à s'inquiéter
Elle est encore en train d'biaiser
Je vais m'établir bien vite
Me marier quel bonheur
Avec un garçon plein d'mérite
Qu'y est ouvrier plisseur
Pour nous installer à l'aise
Comme n'avons pas l'sou
Je biais'rai d'abord sur un' chaise
Et lui pliss'ra tout d'bout
L'essentiel c'est qu'y ait pas d'retard
Qu'on dise pas que j'biaise en canard
Je suis biaiseuse chez Paquin
Pour mon métier j'ai le béguin
C'est ça qui s'ra gentil ma foi
On f'ra tout l'ouvrage chez soi
En s'entraidant comme chacun le doit
Avec ardeur avec entrain
On se partagera le turbin
Afin de n'pas nous esquinter
Lorsque j'aurai fini d'biaiser
C'est lui qui s'mett'ra à plisser.
Marie-Paule Belle is a French singer and pianist known for her interpretations of chanson française. Born in France, she began studying music at a young age, showing a natural talent for both singing and piano. Her musical career developed mainly in the 1960s and 1970s, during which time she released several albums and participated in numerous French music festivals. Belle was appreciated for her warm and melodious voice, her poetic sensibility, and her ability to interpret texts with emotional depth. Some of her most representative songs include "L'amour est un oiseau rebelle", "La vie en rose" and "Sous le ciel de Paris". Although she did not achieve the international fame of some of her colleagues, Marie-Paule Belle remains an important figure in the history of chanson française, appreciated for her authenticity and talent.
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