C'était pas la ville d'Angoulème
La petite piaule du quatrième
Mais tout réfléchi tout pensé
On s'est jamais senti serrés
Deux petits mômes et deux grandes personnes
Une dizaine d'étés et d'automnes
On a vécu là telle ment bien
A Drancy derrière Pantin
Quand la neige crissait sous les pas
A Noël tout le monde était là
Chez les grands parents du dimanche
Qu'avaient mis robe et chemise blanche
Et ça sentait le chou farci
Ça sentait l'amour aussi
On avait tous le coeur au chaud
Comme la soupe sur le réchaud
La famille
Ça s'éparpille
Les jeunes s'en vont la où ça brille
Les vieux s'éteignent comme des brindilles
Pour un rien une peccadille
Ce sont les années papier de verre
Qui usent l'endroit et l'envers
Et puis ça commence à tiédir
Et puis c'est telle ment dur l'avenir
La vie elle t'étouffe elle t'aspire
Te bouche le nez quand tu respires
On se revoit de temps en temps
On se voit de moins en moins souvent
Et ceux qui ont disparu
Verront jamais les nouveaux venus
La famille
Ça s'éparpille
Les jeunes s'en vont la où ça brille
Les vieux s'éteignent comme des brindilles
Pour un rien une peccadille
Ce sont les années papier de verre
Oui usent l'endroit et l'envers
Et pourquoi ça j'en sais rien
Tout ce que je sais ce que je me souviens
On s'aimait bien.
The lyrics LA FAMILLE of MICHEL JONASZ is also present in the album Guigui (1978)
Michel Jonasz è un cantautore, compositore e musicista francese nato a Parigi nel 1953. Considerato uno dei cantautori più influenti della Francia degli anni '80, Jonasz ha raggiunto il successo con una musica che fonde elementi di pop, rock e chanson française. Le sue canzoni spesso trattano temi sociali e politici, ma anche l'amore, la vita quotidiana e le esperienze personali. Tra i suoi brani più famosi figurano "Laissez-moi rêver", "Le Temps des cerises" e "L'amour est un jeu". Jonasz ha collaborato con numerosi artisti francesi, tra cui Alain Souchon e Jean-Jacques Goldman. Nel corso della sua carriera ha pubblicato oltre dieci album, alcuni dei quali hanno ottenuto grande successo di critica e pubblico.
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