C'est pas seulement à Paris
Que le crime fleurit
Nous, au village, aussi, l'on a
De beaux assassinats
Il avait la tête chenue
Et le c?ur ingénu
Il eut un retour de printemps
Pour une de vingt ans
Mais la chair fraîch', la tendre chair
Mon vieux, ça coûte cher
Au bout de cinq à six baisers
Son or fut épuisé
Quand sa menotte elle a tendue
Triste, il a répondu
Qu'il était pauvre comme Job
Elle a remis sa rob'
Elle alla quérir son coquin
Qu'avait l'appât du gain
Sont revenus chez le grigou
Faire un bien mauvais coup
Et pendant qu'il le lui tenait
Elle l'assassinait
On dit que, quand il expira
La langue ell' lui montra
Mirent tout sens dessus dessous
Trouvèrent pas un sou
Mais des lettres de créanciers
Mais des saisies d'huissiers
Alors, prise d'un vrai remords
Elle eut chagrin du mort
Et, sur lui, tombant à genoux,
Ell' dit : " Pardonne-nous ! "
Quand les gendarm's sont arrivés
En pleurs ils l'ont trouvée
C'est une larme au fond des yeux
Qui lui valut les cieux
Et le matin qu'on la pendit
Ell' fut en paradis
Certains dévots, depuis ce temps
Sont un peu mécontents
C'est pas seulement à Paris
Que le crime fleurit
Nous, au village, aussi, l'on a
De beaux assassinats
Georges Brassens (1921-1981) was a French singer-songwriter of international fame, considered one of the greatest poets and musicians of the 20th century. Born in Vaucluse, France, Brassens began his musical career in the 1950s, captivating audiences with his ironic, melancholic, and deeply human songs. His works, often characterized by simple yet effective language, addressed social, political, and personal themes with a unique sensitivity. Brassens distinguished himself for his deep and raspy voice, accompanied by a keen ability to interpret. Among his most famous songs are "Le Mistral", "La Nonne", "Brave Margot" and "Je chante le blues". His music has influenced generations of artists and continues to be appreciated worldwide for its authenticity, depth, and beauty.
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