Yeah, yeah, yeah
Ouais, ouais
C’est l’histoire d’une petite fille, sur le chemin de l’école
Qui se jouait de la vie avec c'qu’elle trouvait sur le sol
On vit une sale époque, mais ça personne n’lui a dit
On vitàune'sale?époque, mais ça?personne n’lui a'dit
Et puis, et puis, et puis, épuise les crayons de couleurs
Laisse place au rouge à lèvre, laisse place au eye-liner
Les chauffeurs de taxi complice, les embrouilles au mac do’ le soir
Les caches, caches avec la police qui se termineront bien trop tard
Elle voudrait colorier, colorier
Sa vie de merde elle voudrait l'colorier
Car là-dedans y a pas d’laurier, pas d’laurier
C’est vrai qu’il t'dit : "Je t’aime", mais il ne l'fait qu'sur l’oreiller
On l’appelle : "Puta" ou "Bébé", "Puta" ou "Bébé"
Mais quand on lui donne du respect, on l’appelle : "Bébé"
On l’appelle : "Puta" ou "Bébé", "Puta" ou "Bébé"
Mais quand on lui donne du respect, on l’appelle : "Bébé"
C’est l’histoire d’
Alcafemor, sur le chemin de l’école
Ou de sacré gros porcs, mettent leur main sur son épaule
Son épaule est si fragile, mais ça on n’lui a pas dit
Les lumières de la ville ne sont pas celle du paradis
Et puis, et puis, et puis, épuise les crayons de couleurs
Elle repense à ses crayons de couleurs
C’est l’histoire d’une petite fille, sur le chemin de l’école
Qui se jouait de la vie, mais au final c’est pas très drôle
On l’appelle : "Puta" ou "Bébé", "Puta" ou "Bébé"
Mais quand on lui donne du respect, on l’appelle : "Bébé"
On l’appelle : "Puta" ou "Bébé", "Puta" ou "Bébé"
Mais quand on lui donne du respect, on l’appelle : "Bébé"
Ouais on l’a condamné, dès le départ c’était téléphoné
Y avait les catas, y avait ces p'tits frères et ces petites sœurs
Sa maman malade, le crédit à cinq barres
Personne n’se tara, à par la vice ouais, ouais
J’vous raconte même pas ouais, ouais
Quand ils rentraient du bar ouais, ouais
C’est une sale histoire ouais, ouais
Une sacrée histoire ouais, ouais
En blanc en noire ouais, ouais
Qu’elle voudrait colorier
Elle voudrait colorier, colorier
Dans sa vie pas de laurier, rien d’glorieux
Elle voudrait colorier
Elle voudrait colorier
Elle voudrait colorier, colorier
Sa vie de merde elle voudrait l'colorier
Car là-dedans y a pas d’laurier, pas d’laurier
C’est vrai qu’il t'dit : "Je t’aime", mais il ne l'fait
Qu'sur l’oreiller
Elle voudrait colorier
Lartiste, real name Youssef Aqdim, is a Moroccan-born French rapper and singer. Born in Casablanca in 1987, Lartiste moved to France at the age of seven. His music blends hip-hop influences with traditional Arabic and North African sounds. His musical style is characterized by introspective lyrics that often explore themes such as immigration, multiculturalism, and the search for identity. Lartiste achieved success in France with albums like "Le Monde de Lartiste" (2013) and "L'Enfant du Ghetto" (2015), featuring popular tracks such as "Ma Benz", "Laisse-moi vivre", and "Je suis un homme". Throughout his career, Lartiste has collaborated with French artists from different generations, contributing to the spread of Francophone hip-hop music.
In the realm of rock 'n' roll, there are few names as iconic as Queen, and within the Queen pantheon, Brian May stands out not only as a legendary guitarist but also as an astrophysicist with a profound connection to NASA.
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My favorite group when I was just a teenager were the Fugees, thanks to them a certain curiosity about english language was born in me. I wanted to know and understand the lyrics of their songs, it wasn't enough for me to be carried away exclusively by their beautiful music.
Sweden and the United States are two countries far from each other, thousands of kilometers separate them, the language, culinary and sporting traditions, I don't feel so categorical about the landscapes, not knowing all of America there may be states that have the same reliefs of the country of northern Europe, but on one thing I am sure
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