Les quat'pattes c'est les chiens d'Paris,
Les voyous, les clebs ed' barrière,
C'est les ceux qui sont jamais pris...
Qui va jamais à la fourrière.
Car c'est pas des toutous d'Agnès
Ni des cabots d'propriétaires
C'est même pas des chiens d'locataires
I's sont lib's comme Mossieu Barrès.
I's ont tous des gueul' à la flan :
C'est des croisés qui sont pas d'race.
Vrai !... c'est pas eux qu'est des chiens d'chasses
Mais pour leur mett', y a pas plan.
I's sont d'la ru', c'est des joyeux...
Oui... mais c'est des joyeux honnêtes,
Et malgré qu'ça soy' que des bêtes
I's ont d'la bonté plein les yeux.
Et pis i's trottent... et pis les v'là,
L'blaire au vent, la queue en trompette.
Avec leur trou du cul qui pète
Au museau d'celui qui s'trouv' là,
Et l'museau répond : "ça va bien,
J'te r'merci'... n'en v'là d'un' rencontre !...
Tourn'-toi donc un peu que j'te l'montre,
A mon tour... vas-y, vieux, sens l'mien."
Y a des fois qu'i's font du potin,
I's japp', i's piss', i's font des magnes...
Dam' les clebs, i's ont pas des pagnes
Pour plumer avec leur putain.
Et comme en somme i's sont pas d'bois,
I'faut qu'i's fass'nt ça dans la rue,
Sous les yeux d'la foule accourue
Et des bons sergots aux abois.
Ca n'empêch' qu'i' sont jamais pris,
Car c'est les clebs ed' la barrière,
Les quat' patt's, quoi ! Les chiens d'Paris...
Ceux qui va pas à la fourrière.
Aristide Bruant (Paris, 1851 – Paris, 1905) was a French singer and chansonnier, considered one of the pioneers of Parisian cabaret. With his gravelly voice and theatrical style, Bruant captured the bohemian and decadent atmosphere of late nineteenth-century Paris. His songs, often on social or political themes, addressed poverty, prostitution, and life in popular Paris. Bruant was a controversial figure, loved by some for his authenticity and criticized by others for his daring themes. Among his most famous songs are "Le Chanson du Vieux Moulin" and "La Vie Bohème". His influence on French cabaret was profound, paving the way for artists like Édith Piaf and Jacques Brel.
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