Sit yourself down, girl
And talk to me
Tell me what's on your mind
Don't keep saying
Everything's ok, baby
'Cause if it was, girl
You wouldn't be crying
You've been tossing and turning
In your sleep lately, baby
Sitting around crying all day long
Now how in hell do you expect me
To understand, baby
When I don't even know what's wrong
Let's straighten it out
Let's straighten it out
Let's straighten it out
Let's straighten it out, baby
Well the last five nights
When we went to bed
Oh I could tell something wasn't right
When you turned your back
And you covered your head, baby
You didn't even say good-night
Now if you're tired
And you don't wanna be bothered, baby
Just say the word
And I'll leave you alone
Instead of lying there
Crying your eyes out
You and me oughta be getting it on
Let's straighten it out
Let's straighten it out, baby
Let's straighten it out
Let's straighten it out
Please let's straighten it out, baby
Let's straighten it out
Let's straighten it out
Let's straighten it out now, baby
The lyrics LET'S STRAIGHTEN IT OUT of B.B. KING is also present in the album The king of the blues (1989)
B.B. King, all'anagrafe Riley B. King (16 settembre 1925 – 14 maggio 2015), è stato un leggendario chitarrista, cantante, compositore e produttore discografico statunitense. Nato in Mississippi, fu uno dei pilastri del blues moderno, influenzando generazioni di musicisti con il suo stile unico e la sua tecnica virtuosa sulla chitarra. Conosciuto come "The King of the Blues", B.B. King ha venduto milioni di dischi in tutto il mondo, ottenendo numerosi premi Grammy e riconoscimenti per la sua carriera straordinaria. Il suo sound caratteristico, definito da un vibrato profondo e melodie bluesy, è stato influenzato dalla musica gospel e country del Sud degli Stati Uniti. Tra i suoi brani più famosi figurano "The Thrill Is Gone", "Everyday I Have the Blues" e "Lucille". B.B. King ha collaborato con artisti di diverse generazioni, tra cui Eric Clapton, U2 e Stevie Ray Vaughan. La sua influenza sul mondo musicale è immensa, e il suo nome rimane sinonimo di blues autentico e virtuosismo chitarristico.
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