Every time I open my mouth
or take off my clothes
I'm raw and frostbitten from
being exposed
I got red scabby hands
and purple scabby feet
And you can smell me coming from
halfway down the street
And I remember that old hotel had quite the smell
where I'd go to use the phone
Between the donut shop and the pizza parlor
where I learned to live alone
Sweet sixteen and smiling
my way out of any jam
Learning the ways of the world, oh my
Learning the ways of man
And I didn't really want a baby
and I guess I had a choice
But I just let it grow inside me
this persistent little voice
And I guess I got her off and running
and run off is what she did
And that's part of what I think about
think about that kid
So now there's nothing left to wish upon
except for passing cars
The cacophony of city lights
is drowning out the stars
This park bench is a life boat
and the rest a big dark sea
And I'm just gonna lie here until
something comes and finds me
Yeah I got this tired old face
still grinning most of the time
Just 'cause it don't have a better way
to express what's on it's mind
And I got this running monologue
entertaining in it's outrage
And I've got the air of an animal
That's been living in a cage
Every time I open my mouth
or take off my clothes
I'm raw and frostbitten from
being exposed
I got red scabby hands
and purple scabby feet
And you can smell me coming from
halfway down the street
The lyrics LIFE BOAT of ANI DIFRANCO is also present in the album Which side are you on? (2012)
Ani DiFranco (nata Angela Marie Di Franco) è una cantautrice, musicista e attivista americana di origini italo-americane. Considerata un'icona del folk alternativo e della musica indipendente, DiFranco si distingue per la sua voce potente, le sue liriche introspettive e il suo stile musicale eclettico che fonde elementi di folk, rock, hip hop e jazz. Iniziò a suonare in locali underground all'età di 16 anni, pubblicando il suo primo album indipendente nel 1990. DiFranco ha sempre mantenuto un forte controllo creativo sul suo lavoro, fondando la sua etichetta discografica, Righteous Babe Records, nel 1990. La sua musica affronta temi sociali come il femminismo, la giustizia sociale e l'ambiente, guadagnandosi il rispetto di una vasta fanbase che apprezza la sua autenticità e la sua capacità di parlare a un pubblico ampio con sincerità e coraggio. Tra i suoi brani più rappresentativi figurano "Not A Pretty Girl", "32 Flavors" e "Little Plastic Castle".
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