Sin Tu Amor No Podria Vivir
Me Podria Morir Muy Pronto
Marchitar Seria Natural
Sin Luz De Tu Sol Me Ahogo
Como Rayo En La Oscuridad
En La Tempestad Abrigo
Florecer Siempre Es Natural
Siempre Que Tu Estas Conmigo
Ay Ay Ay
En Mi Corazon Siento Este Dolor Profundo
Ay Ay Ay
Muere La Ilusion Y Me Alejo De Este Mundo
Y Ahora Lloro Por Ti
Como Un Rio Que Llega Ha Despojar En El Mar
Y Un Sentimiento Que Quema
Como Luz De Una Vela Que Muere En Silencio
Y Se Lleva Tu Luz
Y Ahora Lloro Por Ti Porque No Puedo Evitar
Que Se Me Rompa La Vida Por Quererte Mostrar
Que Aun Pesar Que Te Has Ido Te Llevo Conmigo
Y No Quiero Soltar.
Sin Tu Amor No Podria Vivir Yo Podria Perder Camino
Comenzar No Es La Solucion Si Hoy Ya Tu Ya No Estas Conmigo
Como Lluvia Que Opaca El Sol Siento Tu Calor Perdido
Quebrante La Venta Azul Que Ha Tu Patio Habia Conseguido
Ay Ay Ay
En Mi Corazon Siento Este Dolor Profundo
Ay Ay Ay
Muere La Ilusion Y Me Alejo De Este Mundo
Y Ahora Lloro Por Ti
Como Un Rio Que Llega Ha Despojar En El Mar
Y Un Sentimiento Que Quema
Como Luz De Una Vela Que Muere En Silencio
Y Se Lleva Tu Luz
Y Ahora Lloro Por Ti Porque No Puedo Evitar
Que Se Me Rompa La Vida Por Quererte Mostrar
Que Aun Pesar Que Te Has Ido Te Llevo Conmigo
Y No Quiero Soltar.
Sin Tu Amor No Podria Vivir
The lyrics LLORO POR TI of FANNY LU is also present in the album Dos (2008)
Fanny Lu, pseudonimo di Fanny Lucía Martínez Buenaventura, è una cantante colombiana nata a Medellín nel 1978. Attiva dal 2003, ha conquistato il pubblico latinoamericano con un mix di pop, salsa e cumbia. La sua musica è caratterizzata da ritmi contagiosi e testi che parlano d'amore, amicizia e speranza. Tra i suoi successi più noti figurano "El Baile del Chiquitito", "No Te Quiero Olvidar" e "La Vida Es Un Carnaval". Fanny Lu ha collaborato con artisti di spicco come Juanes e Marc Anthony, partecipando anche a importanti festival musicali in tutta America Latina. La sua carriera è stata segnata da numerosi premi e riconoscimenti, consolidandone il ruolo di icona musicale colombiana.
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