Sanity falls by the knife
That lacerates the brain
Listen to the pain
Touch the empty spaces within our hearts
And see the dream is our reality
Stand upon the edge, fall into the water
Drift upon the sea, pray for all the others
Suffering to see
The ludicrous smiles on our faces
Show nothing remains
In fortress surrounding the dream
The ludicrous smiles in our eyes
See the fall of the rain
And the coming of what is to be
The lunatic hides in the night
From the man of the sane
In a world that imprisons the free
Terrified of what he sees
The ludicrous smiles, the ludicrous smiles
Smiles over me
Shadows may follow the man
One thing is leading the others
Follow the veil in my hand
Nothing deceiving my brothers
Look into my eyes, walk into my vision
Drift upon the streams, enter vast dominions
Welcome to my dream
The ludicrous smiles on our faces
Show nothing remains
In fortress surrounding the dream
The ludicrous smiles in our eyes
See the fall of the rain
And the coming of what is to be
The lunatic hides in the night
From the man of the sane
In a world that imprisons the free
Terrified of what he sees
The ludicrous mind
The lyrics LUDICROUS SMILES of SAVIOUR MACHINE is also present in the album Saviour machine (1995)
Saviour Machine è stato un gruppo musicale statunitense attivo dal 1989 al 2003. Fondato dai fratelli Eric e Jeff Clayton nella California meridionale, il gruppo si è distinto per uno stile originale che fonde symphonic metal con elementi di gothic metal, sempre intriso di una forte componente cristiana. Le loro sonorità, caratterizzate da melodie elaborate, riff pesanti e testi spirituali, hanno conquistato un seguito fedele nel panorama musicale underground. Tra i brani più rappresentativi si ricordano "The Great Divide", "Blood and Fire" e "Arise". L'album di debutto, "The Age of Reason", pubblicato nel 1992, ha segnato l'inizio della loro carriera, seguita da altri lavori come "The Second Coming" (1994) e "The Final Hour" (1997). Saviour Machine si è sciolto nel 2003 dopo un periodo di attività intensa e una crescente difficoltà a conciliare la vita musicale con le proprie convinzioni religiose.
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