Nico Gemba

Lyrics Männer weinen nicht Nico Gemba

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Männer weinen nicht


Welcher Teufel hat dich nur geritten, ich hatte heute meinen siebten Sinn.Kam etwas Früher schon Nachhause, und da sah ich dich direkt mit ihm.
Mensch wie soll ich das verstehen, weils mit uns doch Super lief.
Und du willst mir jetzt Erklären, warum du mit dem anderen schliefst. Ref: Männer weinen nicht, ich sage Bye Bye Baby.Baby Goodbye.Ich pfeiff schon aus dem letzten Loch.Die Liebe geht, doch ich Lebe noch.
Männer weinen nicht, ich sage Bye Bye Baby.Baby Goodbye.Den dieser Fluss, der Endloss fließt.
Auf meinem Gesicht, das ist nur Regen.Männer weinen nicht. Die Ringe hatte ich schon gekauft, du warst für mich die Endstation.Dann erwisch ich dich hier in Flagranti, und alles fängt von vorne an.
Mein Kopf sagt immer wieder Nein, doch mein Herz schreit laut nach dir.
Oh ich geb mir heut die Kante, den du bist nicht mehr bei mir. Ref: Männer weinen nicht, ich sage Bye Bye Baby.Baby Goodbye.Ich pfeiff schon aus dem letzten Loch.Die Liebe geht, doch ich Lebe noch.
Männer weinen nicht, ich sage Bye Bye Baby.Baby Goodbye.Den dieser Fluss, der Endloss fließt.
Auf meinem Gesicht, das ist nur Regen.Männer weinen nicht. Oh oh ich sage Bye Bye BabyOh Baby Goodbye. Ref: Männer weinen nicht, ich sage Bye Bye Baby.Baby Goodbye.Ich pfeiff schon aus dem letzten Loch.Die Liebe geht, doch ich Lebe noch.
Männer weinen nicht, ich sage Bye Bye Baby.Baby Goodbye.Den dieser Fluss, der Endloss fließt.
Auf meinem Gesicht, das ist nur Regen.Männer weinen nicht.
Männer weinen nicht.

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Biografia

Nico Gemba is a German musical artist known for his energetic dance style and captivating performances. Active since 2019, he has gained a growing fanbase thanks to tracks like "Konig der Piraten" and "Ich schick' dich zum Teufel". His music blends elements of techno, house, and electro, creating a modern and catchy sound that sets him apart in the contemporary music scene. Gemba is renowned for his original productions and his ability to engage audiences during his live sets.

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