(Ooh, ah)
Ba-ba-ba-ba, ba, ba-ba-ba-ba (Ooh, ah, ooh, ah)
Ba-ba-ba (Ooh, ah, ooh, ah)
Ba-ba-ba-ba, ba, ba-ba-ba-ba (Ooh, ah, ooh, ah)
Ba-ba-ba (Ooh, ah, ooh, ah)
Gemini
I'm a myth and I'm a legend
Whom never wins
And might not ever play again
Keep falling in (Keep falling in, yeah)
Love so fast and back out again
Speeding
When I should ease in
Oh, I know myself, my sins
Dug my pit, then I fell in
Pulled the trigger, killed us both
Lesson learned but truth gets old
Little of heaven, little unpleasant (Ooh, ah)
I don't know (Ooh, ah)
Little of pleasure, little depression (Ooh, ah)
I don't know (Ooh, ah)
Little of heaven, little unpleasant (Ooh, ah)
I don't know (Ooh, ah)
How can I tell if? How can I measure? (Ooh, ah)
If I don't know (Ooh, ah)
Ba-ba-ba-ba, ba, ba-ba-ba-ba
Ba-ba-ba
Ba-ba-ba-ba, ba, ba-ba-ba-ba (Woah)
Ba-ba-ba (Ah)
I look?d up at the ceiling as I draft my "I'm so sorry" text
Don't r?gret the choice I chose but do regret the mess I made
I see you hurt, I wish I could just hold you tight and close
Don't need long, just wanna say, "I love you and miss you most"
Oh, I know myself, my skin
Rolling stones don't crawl back in
Daddy's faults fell down on me
Break that curse for sweet relief
Little of heaven, little unpleasant (Ooh, ah)
I don't know (Ooh, ah)
Little of pleasure, little depression (Ooh, ah)
I don't know (Ooh, ah)
Little of heaven, little unpleasant (Ooh, ah)
I don't know (Ooh, ah)
How can I tell if? How can I measure? (Ooh, ah)
If I don't know (Ooh, ah)
Ba-ba-ba-ba, ba, ba-ba-ba-ba (Ooh, ah, ooh, ah)
Ba-ba-ba (Ooh, ah, ooh, ah)
Ba-ba-ba-ba, ba, ba-ba-ba-ba (Ooh, ah, ooh, ah)
Ba-ba-ba (Ooh, ah, ooh, ah)
Mercury running amuck in my mind
Can't tell if I'm winning or falling behind
Ba-ba-ba-ba, ba, ba-ba-ba-ba (Ooh, ah, ooh, ah)
Ba-ba-ba (Ooh, ah, ooh, ah)
Venus in retrograde got me in bed
And thinkin' 'bout all of the shit that I said
Ba-ba-ba-ba, ba, ba-ba-ba-ba (Ooh, ah, ooh, ah)
Ba-ba-ba (Ooh, ah, ooh, ah)
Gemini scope give me depth 'til I'm dead
But I can't seem to get the fuck out of my head
Well, fuck it, I'll just cop a Porsche instead
I do as I please and you see where it lead
Guess somethin' bad ain't 'bout to happen to me
You think I'm two-faced, I can name twenty-three
My layers, all these sides
Could you stick by for the ride?
It's a thrill, and I don't even know how to feel
It might be too real
Might be too—
Real, might be too real, real
I said, "Might be too—"
Might, I said, "Might be too real, real"
I said, "Might be too real"
Excuse me if I lied
I forgot I said that
Can you forgive my tongue?
I'll show you where my head at
I don't think I'm the one
But I could be your girlfriend
'Til retrograde is done
Steve Lacy (Steven Norman Lackritz, 1934-2006) was an American saxophonist and composer widely regarded as one of the most important soprano saxophone specialists. Born in New York, Lacy distinguished himself for his innovative style that blends jazz, African American music, and European influences. His career spanned several phases: from his beginnings with the groups of Charles Mingus and Gil Evans to the formation of his quintet in 1960. With this ensemble, Lacy explored new sounds, introducing experimental elements and free improvisation. Among his most representative works are the album "The Forest" (1972) and the piece "The Chant", an anthem to African American spirituality. Lacy was a pioneer of free jazz, influencing generations of musicians with his originality and boundless sonic exploration.
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