I been to New Orleans, I sure had a wonderful time
Well I been to New Orleans, I sure had a wonderful time
I was high, high as a Georgia pine
A gypsy woman took me down to Rampart Street
I met everybody that I wanted to meet
She said, look here Gary come and listen to me
They got something to knock you off your feet
It's called the mojo boogie
The mojo boogie
It's called the mojo boogie
Begin to slide on down
I thought she was teachin' me a brand-new way
I said, tell me gypsy woman tell me what to say
They got the Louisiana boogie and the other kind of thing
They even got the thing they call the mojo hand
It's called the mojo boogie
The mojo boogie
It's called the mojo boogie
Begin to slide on down
I got me a mojo man it sure is crazy
The gypsy forgot to tell me how to operate it
I went to a night club I was squeezin' it tight
It must have been the cause of people startin' to fight
It was the mojo boogie
Must have been that mojo boogie
It was the mojo boogie
Begin to slide on down
It was the mojo boogie
It was the mojo boogie
Must have been that mojo boogie
It was the mojo boogie
It was the mojo boogie
Begin to slide on down
Gary Moore (Robert William Gary Moore, 1952-2011) was an Irish guitarist, singer, and songwriter of international fame. Considered one of the greatest blues rock guitarists of all time, he went through several musical phases, from the hard rock of the 1970s to the electric blues of the 1980s and 1990s. He began his career in the early 1970s with Skid Row, a band that launched him into the British music scene. Subsequently, he collaborated with artists such as Thin Lizzy and Phil Lynott, contributing to defining the sound of Irish rock. In the 1980s, he dedicated himself to blues, releasing highly successful albums like "Still Got the Blues" (1990) and "After Hours" (1992), which consecrated him as a master of the genre. Among his most famous songs are "Parisienne Walkways", "Over the Hills and Far Away" and "The Sky Is Crying". Moore left an indelible mark on the history of rock music, influencing generations of guitarists.
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