Deja que el viento entre
y se lleve todo lo que nos sobra,
deja que las raíces
beban el agua que necesiten,
deja que los colores
vuelvan a serlo todo,
y deja que aquella magia
nos resucite.
Cuéntame con detalle
para contárselo a la esperanza,
cuéntame como sabes
que viene ruido y no la calma,
deja que los rencores
salgan por donde entraron,
y deja que no haya nadie
que lo marchité.
Cuando amanezca tormenta, no vale dormir.
Cuando los versos no bailen, no vale dormir.
Cuando los premios no sean perfectos,
cuando la vida no entienda de besos, cógeme fuerte la mano y si duele pa' mí.
Donde las manos no mandan, no vale pedir.
Donde la rima no entienda, no vale pedir.
Cuando la espera no sea sincera,
cuando la pena se quede a tu vera,
cógeme fuerte la mano y su duele pa' mí.
Piensa poquito a poco
lo que pretende la cobardía.
Vuelve por donde huías,
y dos sonrisas por cada huella.
Tira de los cordones
que abren esa ventana,
coge nuestro principio,
y me lo regalas.
Cuando amanezca tormenta, no vale dormir.
Cuando los versos no bailen, no vale dormir.
Cuando los premios no sean perfectos,
cuando la vida no entienda de besos, cógeme fuerte la mano y si duele pa' mí.
Donde las manos no mandan, no vale pedir.
Donde la rima no entienda, no vale pedir.
Cuando la espera no sea sincera,
cuando la pena se quede a tu vera,
cógeme fuerte la mano y su duele pa' mí.
Dámelo, dámelo pa' mí.
dámelo.
Antonio Orozco is a Spanish singer-songwriter born in Barcelona in 1979. Active since 2003, he has established himself as one of the most popular singers in Spain thanks to his musical style that blends pop, rock and flamenco. His debut album, *El principio del comienzo*, was a great success, consolidating his presence in the Spanish music scene. Among his most famous songs are *Devuelveme La Vida*, *Un Reloj y Una Vela* and *Semilla del Silencio*. Orozco is known for his energetic and engaging performances, which have led him to perform at numerous festivals and theaters throughout the country. In 2018 he won the Ondas Award for his career.
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