In a forest of stone
Underneath the corporate canopy
Where the sun rarely filters down
The ground is not so soft
Not so soft
They build buildings to house people
Making money
Or they build buildings to make money
Off of housing people
It's true
Like a lot of things are true
I am foraging for a phone booth on the forest floor
That is not so soft
I look up
It looks like the buildings are burning
But it's just the sun setting
The solar system calling an end to another business day
Eternally circling signally
The rythmic clicking on and off of computers
The pulse of the American machine
The pulse that draws death dancing
Out of anonymous side streets
You know
The ones that always get dumped on and never get plowed
It draws death dancing
Out of little countries
With funny languages
Where the ground is getting harder
And it was not that soft before
Those who call the shots are never in the line of fire
Why
Where there's life for hire out there
If a flag of truth were raised
We could watch every liar rise to wave it
Here we learn America like a script
Playwright
Birthright
Same thing
We bring ourselves to the role
We're all rehearsing for the presidency
I always wanted to be commander in chief of my one woman army
But I can envision the mediocrity of my finest hour
It's the failed America in me
It's the fear that lives in a forest of stone
Underneath the corporate canopy
Where the sun rarely filters down
And the ground is not so soft
The lyrics NOT SO SOFT of ANI DIFRANCO is also present in the album Like i said (1993)
Ani DiFranco (nata Angela Marie Di Franco) è una cantautrice, musicista e attivista americana di origini italo-americane. Considerata un'icona del folk alternativo e della musica indipendente, DiFranco si distingue per la sua voce potente, le sue liriche introspettive e il suo stile musicale eclettico che fonde elementi di folk, rock, hip hop e jazz. Iniziò a suonare in locali underground all'età di 16 anni, pubblicando il suo primo album indipendente nel 1990. DiFranco ha sempre mantenuto un forte controllo creativo sul suo lavoro, fondando la sua etichetta discografica, Righteous Babe Records, nel 1990. La sua musica affronta temi sociali come il femminismo, la giustizia sociale e l'ambiente, guadagnandosi il rispetto di una vasta fanbase che apprezza la sua autenticità e la sua capacità di parlare a un pubblico ampio con sincerità e coraggio. Tra i suoi brani più rappresentativi figurano "Not A Pretty Girl", "32 Flavors" e "Little Plastic Castle".
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