Could it be I'm a lonely one
that made everything so upsidedown now
could it be all the lies I told that gave
nightmares to me after an olympic day
you said everything was fine
but I saw you through
and I knew that I was just as bad as you.
Never said I would give you up
but if I must then tell me why now
never said I believed in all those things I've heard
about you from those rumours now
I thought everything was fine
but you proved me wrong
and I was taken by surprise.
Don't like me, don't like me,
don't you know I'm good for nothing,
don't like me, was what you told me when I called you up.
Don't like me, don't like me,
don't you know I'm good for nothing,
don't like me, whatever I may say to make you feel that way.
Could it be I'm a lonely one
that turned everything so upside down now
could it be that you told me that you still loved me that
made me change so quickly now
I heard me when you called.
Don't like me, don't like me,
don't you know I'm good for nothing,
don't like me, was what I told you when you called me up,
don't like me, don't like me,
don't you know I'm good for nothing,
don't like me, eventhough inside I know I want you to
didn't want to tell you what to do.
Millencolin è una band punk rock svedese formatasi ad Örebro nell'ottobre del 1992 da Erik Ohlsson, Mathias Farm e Nikola Sarcevic. Nel 1993 si unì al gruppo il batterista Fredrik Larzon. Il nome Millencolin deriva dal trucco dello skateboard "melancholy". La band ha raggiunto la popolarità internazionale negli anni '90 con album come "No Cigar" (1997) e "Pennybridge Pioneers" (2000), caratterizzati da un sound energico e melodico che fonde elementi di punk rock, ska e pop. Tra i brani più noti si ricordano "No Cigar", "Penguins and Polarbears" e "The Ballad of the Broken Hearted Man". Millencolin continua ad essere attiva fino ai giorni nostri, pubblicando nuovi album e partecipando a festival musicali in tutto il mondo.
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