On Tuesday she used to do yoga,
while I'd sit and watch the box
in a vegetable way
but always ready to say
to myself that I was an artist
implying that she was not.
It's funny the way that self-pity
can take over from self-esteem -
well, I was the prince of pride,
and though I'd cheat I never lied,
as if that were enough to make her happy,
as if that could satisfy her dreams.
Too late now to say that I'm so sorry,
too late to say that I can change and mend
the things that hurt... she didn't need to worry,
she always knew I'd get there in the end.
Now I'm tying myself up in contortions,
don't know if yoha will do me any good.
It's about time I tried, though I'd rather be inside
from the cold, studing tantra -
still, I never did that when I could.
I never did the things that really mattered,
there seemes to be some key I couldn't find
to unlock myself;
I could have done it with her help,
but I was to busy scrabbling for each moment -
now I don't know what I did with all the time.
Sometimes I'd play the wild rover
sometimes I'd just get smashed all day...
on Tuesday she used to do yoga,
on Tuesday she went away
Peter Joseph Andrew Hammill (born August 19, 1948) is a British singer-songwriter, keyboardist, and multi-instrumentalist, best known for being the frontman of Van der Graaf Generator and his prolific solo career. Hammill began playing music at the age of seven, influenced by artists like Bob Dylan and The Beatles. In 1967 he formed Van der Graaf Generator, a progressive rock band that achieved great success in the 1970s with albums such as "Pawn Hearts" (1972) and "Godbluff" (1970). Hammill is known for his unique, powerful, and theatrical vocal style, often accompanied by complex and introspective lyrics. After the first dissolution of Van der Graaf Generator in 1978, Hammill continued to record music under his own name, releasing over 30 albums throughout his career. Some of his most representative tracks include "A Plague of Lighthouse Keepers" (1973), "Man-Erg" (1976) and "The Silent Corner and the Empty Stage" (1982). His music is characterized by a dark, melodic, and often experimental atmosphere, with influences ranging from progressive rock to jazz fusion. Hammill has collaborated with numerous artists, including David Sylvian and Robert Fripp.
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