No le debo nada a Entel
me cuido la nariz
el silencio termina mañana
me voy a desvestir.
El tiempo que yo soñé
es la eternidad, es la dulce fe
de que sigas conmigo por siempre
por siempre por aquí.
Y cuando encuentro un amigo
lo tengo que buscar,
y voy al supermercado
buscando un capataz.
El sueño que yo soñé
es la humanidad
es la humanidad
el poeta tenía razón
la balsa hay que tomar.
Córtenla, déjenos vivir en paz,
sáquenla, sáquenla un poquito, sáquenla un poquito.
Cuando vuelvo a mi casa temprano
me tengo que tomar
un litro de vino prestado
que no pienso pagar.
El día que estoy aquí, ese amanecer, es dónde querer
y mirar tus ojos en naves
viajando hacia mí.
Teléfono, tiráte ya del trampolín.
Papelón, sacáte la gomina, pelá la brillantina.
Ya no tengo monedas de nylon
perdí mi peluquín.
Me sigo pavimentando y llegaré hasta el fin
Alegría, quiero ver tu foto en los diarios
riéndote por qué.
Charly García (Carlos Alberto García Moreno) is an Argentine musician considered one of the pillars of contemporary Argentine rock. Born in Buenos Aires in 1953, he began his musical career in the 1970s with the group Sui Generis, contributing to the birth of a new musical movement in Argentina. After the band's dissolution, he embarked on a highly successful solo career, characterized by an eclectic musical production that ranges from progressive rock to electronic pop, passing through jazz and experimental influences. Among his most important albums are "Clics Modernos" (1983), "Piano Bar" (1984) and "Yendo de la Cama al Living" (1986). Some of his most famous songs include "No Voy a Cambiar", "Rezo por Vos", "Demoliendo Hoteles" and "Yendo de la Cama al Living". García is known for his compositional talent, charismatic personality and ability to anticipate musical trends. He has collaborated with numerous Argentine and international artists, contributing to shaping the country's music scene.
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