Mi primera mujer era una arpa,
pero, muchacho,
el punto del gazpacho.
joder si lo tena,
se llamaba... digamos que Sofa.
Un mal da
me puso las maletas
a los pies de la estatua, de un poeta,
que esta, inmortalizado,
en su glorieta.
Despus de, no se asombren,
registrar, a su nombre,
mi chalet adosado,
mi visa, mi pasado,
su prisa y su futuro,
dejndome tirado
y sin un duro.
La gota que colm,
damas y caballeros,
el vaso de su amor,
fue de colesterol.
Harto, tras dos infartos,
de acercarme al tercero...
al sstole y al distole
de mi corazn
le puse un marcapasos,
que andaba con retraso,
haciendo interferencias
en la frecuencia
del televisor.
Desde que la perd
hasta hoy, pobre de m,
cada vez ms borracho,
ruedo de mostrador
en mostrador:
jefe: tienen gazpacho?
Pero... qu hermosa era
cuando iba de mi brazo por la acera,
ustedes me han mirado?,
pedirle a ese bombn que me quisiera
no les parece que era
pedirle demasiado?
Mi segunda mujer
era una bruja
y yo, tan mamarracho, que besaba
el suelo que pisaba.
Se llamaba... digamos que Maruja.
Aquel da
volv pronto del tajo,
y, en mi cama,
debajo
de un idiota,
una dama,
en pelotas,
se lo haca.
Y yo que nunca haba
estado en una orga,
quitndome las botas,
me dije: "sta es la ma",
y tanto que lo era,
la del tacn de aguja
era Maruja.
"Entre ese idiota y yo,
cual Jpiter tronante,
t eliges" dije yo,
que qu me contest?
sin dudarlo un instante,
"me voy con el idiota".
Y ustedes, que crean,
que el idiota era yo,
pues no,
la muy pendn
se iba y se vena,
ponindose las botas,
con el menos idiota
de los dos.
Y saben qu les digo?
aquel idiota y yo
nos hicimos amigos,
el da que Maruja nos dej...
por otro idiota.
Pero... qu hermosas eran
mi segunda mujer y la primera.
Ustedes me han mirado?
pedirles, adems, que me quisieran,
no les parece que era
pedirles demasiado?
Mi tercera mujer era, seores
de todos los amores
que he perdido
el que ms me ha dolido.
adivinan? Se llamaba Dolores.
Pero, el da
de mi cumple, mi amorcito
me dijo: "Aunque eres malo,
Joaquinito,
te traigo, de regalo,
un regalito"
Con su santa inconsciencia
se declar en estado,
y yo, que haba jurado
morir sin descendencia,
como muri mi padre,
a la futura madre,
consternado:
"Hay dolores que matan!"
le grit dolorido
"Y no se te ha ocurrido
pensar que tu marido
hubiera preferido
otra corbata?"
Fue nia, nia pija,
ni siquiera varn!.
Por fin, con veinte aos,
se la llev un extrao,
y no perd una hija,
gan un cuarto de bao.
Con perdn!
Sofa me aliaba,
Maruja me adorn,
ya solo me faltaba
tomar clases de parto sin dolor
y con Dolores.
Pero... qu hermosas eran las tres,
y, sobre todo, la tercera
Ustedes me han mirado?
pedirles, adems, que me quisieran
No les parece que era
pedirles demasiado
Joaquín Sabina (born Joaquín Ramón Martínez Sabina on July 15, 1949 in Úbeda, Spain) is one of the most influential and beloved singer-songwriters in Latin music. Known for his incisive poetry, catchy melodies, and raspy voice, Sabina has captivated a vast audience throughout Latin America and the Spanish-speaking world. His musical journey began in the 1960s with experiences in rock bands and Spanish singer-songwriters. In 1975, he released his debut album, "Inventario", which introduced him to the Spanish public. Over the following years, Sabina solidified his fame with albums such as "Malas compañías" (1982), "19 días y 500 noches" (1984) and "El viaje" (1989). His songs often address social, political, and personal themes, always with a touch of irony and sarcasm. Sabina is known for his collaborations with other artists such as Joan Manuel Serrat, Fito Páez, and Miguel Ríos. Some of his most famous songs include "Y nos dieron las diez", "La Mandrágora", "Contigo" and "Pajarita de papel". Besides music, Sabina is also a talented poet with several collections of verses published.
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