Mike Patton

Pink and bleue lyrics Mike Patton

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Pink and bleue


When I drink too much
I shit my pants
Feel a little maidish
Lose my marbles
Singing an old love song
(Oh, no Verlaine)

Talking about you
And me
Thing-a-ma-jig
Joe, who is he?
A punch in the liver
That you don't feel because

Singing a pink song
Full of love and bruises
A poor blue song
Kisses, screams, black and blue
Singing a pink song
Who doesn't handle prose with kid gloves?
A poor blue song
A song pink and bleue

When my soul is grey
I feel my wings will break
Coming, going
Like little sisters
Who ain't got the right tricks
When there was not you nor me, no holes
Thing-a-ma-jig or Joe Blows
When there is less, ain't nothing left
So I serve my dose

One glass of pink song
Pint of shouts and bruises
You like that shit?
Listen dumbass douchebag
To my pink song
Who doesn't handle prose with kid gloves?
This is my
Pink and bleue

Just one glass of pink song
Don't handle with kid gloves
This is my pink and bleue
My pink and bleue

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The lyrics PINK AND BLEUE of MIKE PATTON is also present in the album Corpse flower (2019)

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Biografia

Michael Allan Patton, meglio conosciuto come Mike Patton, è un cantante, compositore e produttore discografico statunitense nato a Eureka, California, nel 1968. Noto per la sua voce versatile e il suo stile musicale eclettico, Patton ha raggiunto fama internazionale come frontman dei Faith No More, gruppo di metal alternativo che ha ottenuto successo negli anni '90 con album come "Angel Dust" (1992) e "King for a Day... Fool for a Lifetime" (1995). Oltre ai Faith No More, Patton è il leader di altri progetti musicali come Mr. Bungle, gruppo sperimentale noto per l'utilizzo di sonorità jazz, funk e avant-garde, e Fantômas, supergruppo composto da musicisti del genere metal e noise rock. Patton ha collaborato con numerosi artisti, tra cui John Zorn, Tom Waits e Björk, dimostrando una costante ricerca musicale che lo ha portato a esplorare generi come il progressive rock, l'opera lirica e la musica elettronica. Tra i suoi lavori più rappresentativi figurano "The Perfect Circle" (1998) dei Faith No More, "California" (2000) di Mr. Bungle e "Director's Cut" (2006) di Fantômas.

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