{*audience clapping, beat starts*
We've been having these gatherings for over 12 years
Uhh, my first one, was ah at Latin Quarters in 1987
with Afrika Bambaataa - he threw the first one, that I attended
We kept the tradition going through the Stop the Violence Movement
Through Human Education Against Lies, Rhythm Cultural Institute
And now the Temple of Hip-Hop
This is Hip-Hop's spiritual base
And as a spiritual base, we look to guide the youth in that discipline
Uhh, no culture is a culture, unless it has principles
unless it has morals, unless - we are unified
in some sort of principle, something we are not going to step beyond
Something that defines us
What I'd like to do, is just for a moment as we.. deal with this
Think about your role in Hip-Hop
Think about what you do everyday in Hip-Hop
This is not about right now
It's about twenty years from now
It's about ten years from now
The tapes are rolling, the notes are being taken
This is the type of thinking we have to get into
if this is going to survive and last
So again, Hip-Hop Appreciation Week, is a time of self-reflection
A time for Hip-Hoppers to ask,
"What am I doing, to preserve the culture?" {*echoes*
Lawrence Krisna Parker, known as KRS-One (The Blastmaster or The Teacha), is an American rapper, activist, and writer born in New York in 1965. Considered one of the pioneers of political and intellectual rap, KRS-One has profoundly influenced the hip hop scene with his incisive rhymes and lyrics addressing social issues such as racism, poverty, and justice. Founder of the group Boogie Down Productions (BDP), he released successful albums like "Criminal Minded" (1987) and "By All Means Necessary" (1988), which helped define the sound of the golden age of rap. KRS-One is also a social activist committed to promoting education and political awareness. Among his most representative tracks are "The Bridge Is Over", "Sound of da Police", and "Hip Hop Single".
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