Agárrate, que hay ruina,
pues nada, que la cosa está fatal.
El Tony está en la U.V.I.,
parece que está a punto de palmar.
Así como lo oyes,
te juro por Pastora que es verdad.
Anoche estuvo a un paso
de que le diera el pasmo
marcándose un hip-hop en el Pachá.
Estaba ya muy chungo,
la taquicardia, el miedo, Ridley Scott,
y encima va el imbécil
a echar el resto con una menor
que está, además, no veas,
como en sus buenos tiempos la Bardot...
y pasa lo que pasa,
que el alma pierde marcha
y el palo no lo aguanta el corazón.
Lástima, Luis, porque esta noche
no estará el Tony con toda la peña
en casa de Eduardoque tiene dos nuevas canciones...
una se llama Canalla, o así,
y otra Desesperado...
Faltaba ver al Tony
con un equipo médico habitual,
como Paquito, tronco,
con tubos por delante y por detrás.
Las vueltas que da el mundo,
ay, si resucitara Carlos Marx
y viera a los que cambian
las masas por las nalgas
según los malos rollos de la edad.
Iremos ahora a verle,
me esperan Charo, Lola e Isabel
que han vuelto de Segovia
de verle una benéfica al Chenel.
Las veces que le dije:
cuidado, Tony, con esa mujer...
pero él ni puto caso
y va por ahí matando,
tirándose a morir a volapié.
Luis Eduardo Aute Gutiérrez (Madrid, 1943 – Madrid, 2017) was a Spanish singer-songwriter, composer, poet, and filmmaker. Considered one of the most important songwriters in contemporary Spain, Aute went through several musical phases, from folk to progressive rock, passing through jazz and electronic music. His poetry, often introspective and full of symbolism, intertwines with memorable melodies and sophisticated arrangements. Among his most famous songs are "Roses", "At Dawn" and "The Child of the Moon". Aute collaborated with numerous Spanish and international artists, including Joan Manuel Serrat and Paco de Lucía. His filmography includes directors such as Carlos Saura and Pedro Almodóvar. Aute was a multifaceted artist who left an indelible mark on Spanish culture.
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