(feat. Afrika Bambaataa)
[Afrika Bambaataa:]
We got to understand rap been here for a long time~!
When God talked to the prophets, he was rappin
And when the prophets talked back to God, they was rappin
And then if people wanna bring it up and get all up to the modern days and ages
We can start to goin in the 60's when you had Shirley Ellis
When she did "The Name Game" and "The Clapping Song"
We can go to the poetry rappin of of sister Son... Sonia Sanchez
With uh The Watts Poets, or The Last Poets
We can get into the political or the message rap
Of The Honorable Minister Louis Farrakhan, Malcolm X
Or The Honorable Elijah Muhammad
We can get into the the the the party and fun raps
Of Pigby Markam[? ], Marks Baby[? ]
We can go back to the "Hi De Hi De Ho" with Cab Calloway
We can go back to the radio disc jockey or jocko
Eddie OJ, and all the others that did things
We can go back to the LOVE RAP of Isaac Hayes, Black Moses
To the LOVE RAP of Barry White out there
This is all part of rap
And if all you country people want to get into the country & western thingWe can take it to, Tony Joe White, when he did "Poke Salad Annie"
This is all dealin with the rap
Rap has always been there... [echoes]
Lawrence Krisna Parker, known as KRS-One (The Blastmaster or The Teacha), is an American rapper, activist, and writer born in New York in 1965. Considered one of the pioneers of political and intellectual rap, KRS-One has profoundly influenced the hip hop scene with his incisive rhymes and lyrics addressing social issues such as racism, poverty, and justice. Founder of the group Boogie Down Productions (BDP), he released successful albums like "Criminal Minded" (1987) and "By All Means Necessary" (1988), which helped define the sound of the golden age of rap. KRS-One is also a social activist committed to promoting education and political awareness. Among his most representative tracks are "The Bridge Is Over", "Sound of da Police", and "Hip Hop Single".
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