Doubting, trying
Not to look at the face if the man who is dying
To look for the face of the man who is lying
The ambler gambler is low and loaded
His rusty steed turns to burn into my soul
I hear the cries
My body lies in sanctuary
The long way home I cannot seek
He knows the pain it's special place
I know it's look I know your face
White silver draws black lines
Bright whites the killing kind
Two wrongs don't make a right
Two blacks don't make a white
Devotion isn't what it seems
The broker of my broken dreams
Hell is all what I can see
My cell is my sanctuary
There's a black space where my soul should be
A gaping wound where my heart could be
I feel so low I feel like Christ
I see my head is turning white
The knuckles twisted raw and I'm so empty
And there's no respite
You prey together on the small
Hell vision shows it every night
White silver draws black lines
Bright whites the killing kind
Two wrongs don't make a right
Two blacks don't make a white
Devotion isn't what it seems
The broker of my broken dreams
Hell is all what I can see
My cell is my sanctuary
Pig is the post-industrial music project founded and solely managed by Raymond Watts, also known by the pseudonyms Nainz, Nainz Watts, and Ray Scaballero. Watts began working on Pig in the 1980s, releasing a series of albums that explore dark themes such as violence, death, and nihilism. Pig's music is characterized by a distorted electronic sound, pounding industrial rhythms, and provocative lyrics. Among the most representative tracks are "The Beast", "I Am The Machine" and "Death Is My Only Friend". Notable albums include "A New Day Will Come" (1994) and "The World is a Beautiful Place" (2003). Pig has collaborated with numerous artists, including Skinny Puppy and Ministry.
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